In today's blog I will quickly review some of the personal intentional meanings behind the second stanza of the poetic parable on Love. As indicated in the previous blog, this is only my personal reflection on the meaning of the words. You as the reader may find a different meaning within the stanza.
LOVE - Stanza II
As sure as Love will lift you high
To heights beyond your reach
To fully grasp; you must partly die
Self-interest must be breached.
Love Stanza II Line I - As sure as Love will lift you high
As discussed in the previous blog, Love in the terms of the visitor is more than just a "feeling". It is a term attributed to an entity capable of action. In the first stanza, Love (subject) beckons (action). In this line Love (subject) lifts (action).
It is important to understand the meaning provided to Love as used by the visitor to get the greater sense of the parable. In this line, the visitor remarks basically says its a sure thing that Love will lift you high. That concept is important to understand. It is not that it "might" lift you high, but rather, it is assured.
The concept of being lifted high is a two part metaphor. One is contained within the entire series and that is of the Crow. The Crow, a member of the Corvus family (therefore Corvus Chronicles) is a bird which both is capable of flight (soars through the heavens?) and also walking on the land. The Crow is symbolic across many different cultures. Sometimes as a harbinger of death (a murder of crows), sometimes a symbol of "the Trickster", and sometimes an omen of change.
The other concept is that Corvus is also a constellation, or part of "the heavens". (There is a whole other meaning of "Corvus" as in the constellation Corvus, but you will find very similar messages across cultures). So the other meaning beyond flight, is that of heaven.
As indicated in the prologue, the novel is influenced by Thomas Merton. As also indicated Thomas Merton was both an advocate for international peace and inter-faith understanding. As such, the novel is based on the image of the heavens symbolized by both the bird (Crow; Corvus family) and the constellation (Corvus, constellation) as natural representations of international peace and inter-faith understanding. These are concepts of a different perception; both those found in flight (a higher vantage) and those of spirituality (heavens). Both also relate to the idea of "Journey".
For example: page 6 of The Visitor (Chapter Corvus) reads;
So how did he come to be here, at the beck of the crow and the call of the stars? If he had been asked, the Visitor would have simply smiled, knowing that beginnings are always somewhat vague, and it is only at the end that clarity begins. Today, things would become clear.
This sets the stage for some of the metaphors and interpretation of poetic parables within the book. Basically, this is the ending (eve of death) of someone who sees through the vagueness which has plagued him throughout life except to provide a moment of clarity towards the end. The beck of the crow (call of death) and the call of the stars (pull of the heavens) is a literal metaphor which together set the stage for this first book of The Corvus Chronicles.
Love Stanza II Line II- To heights beyond your reach
It is probably obvious to you now that the "heights" can be seen as both a different perspective (as in the flight of the crow) or spiritual (heavens/constellation).
The reality is that whether it is the vantage of a different perspective enabled by the crow which follows the visitor, or the spiritual vantage point, that they are beyond the individuals reach. However, in the context of the poem; with Love - they are within your reach. Again, Love being an entity more than just a feeling means that there is an ability to reach those heights, but not by yourself.
Love Stanza II Line III- To fully grasp; you must partly die
There are many different interpretations of this line. Probably the easiest to comprehend is in the literal translation of "you must partly die". This is the concept of baptism. In baptism, you partly die to your physical self at the birth of your spiritual self. It is not surprising that many Christian churches still use "full immersion" as a preferred method of baptism. In that practice, the person is full immersed in water (symbolizing burial) before being lifted out of the water (symbolizing renewal of life).
However, this line leads to the next line in a purposeful manner. To truly move forward in a journey, you must leave something behind. This goes as well for a Journey of Love. You cannot remain in one place. You must leave one place to get to another. Each step of life requires leaving something behind. Basically, life is a procession towards death, at least "earthly death".
Love Stanza II Line IV - Self-interest must be breached.
Again we see the concept of sacrifice that was evident in Love Stanza I (Previous blog). Self-interest must be put behind. In various sections of The Visitor the reader will encounter this concept. Whether it is regarding giving, or raising of children, you must let go of self-interest.
Again, this concept is found not just in society and in communities, but within various religious beliefs. The idea of "the greater good" or the idea of "giving" or the idea of FAITH. All require self-interest to not be the primary mover of your actions. Even to the point of LOVE, sometimes you are required to think of the other person first, whether a parent, a partner or a fellow human being in need.
____________________________________________________________________
Again, these are just perspectives of the meaning of the words from the view of the author. They are not exhaustive or exclusive. I hope that whatever meaning you might find provides you comfort in your journey.
Now for Stanza's 1 and II on LOVE together:
When Love beckons, do not sleep
And let none stand in defiance of;
Though cost be high and loss be steep
Leave doubt behind and yield to Love.
As sure as Love will lift you high
To heights beyond your reach
To fully grasp; you must partly die
Self-interest must be breached.
Michael Paul.