The Curse of Grace

The Visitor is not an easy read.  It is not what it appears to be, and even if you think you do understand it, it would be best to place such understandings to the side.  Today, for the first time, I am going to share personal insights that are instrumental in understanding why this book cannot be interpreted by anyone; for anyone else.  It is why The Visitor when talking about Knowledge on page 59 says:

He strips you from reason to reveal the truth
For these visions he sees are not yours.
He guides you to knowledge that lives within you
And leaves you - to open the doors.

As outlined in the very first pages of the book, this story moves from fiction to non-fiction without notice or apology.  As described in blogs to this date; there are two parallel stories that run through The Visitor at the same time; a Love Story, and a Story of Love.  However, neither of those stories will lead you to what is in the pages.  Both of those stories are "fictional".  We have yet to explore the Truth of the novel; the fact that the work itself is one of non-fiction.

To help explain the non-fictional basis for The Visitor - today's blog is about "The Curse of Grace".  To some, this concept may seem blasphemous, crazy, distorted or just simply hard to grasp.  However, The Visitor is very intentional in meeting the reader half-way in this discomfort on page 10 where the author shares;

The rumours of who he was were not the reality, but rumours in time became the accepted version of the truth. Depending on who you talked to he was either a mystic, an intellect or just a crazy old man with a bad temper who had chosen to become a bit of a recluse.

This concept that rumour and versions of realities may not accurately depict "Truth", but may still become accepted as reality is important.  The literal description of the Visitor as possibly being a mystic, an intellect or crazy are all just versions or reality.  It is never clarified which version may or may not be real.

So here, for the first time, are personal insights never before shared with others that may lead the reader to have to choose whether the Visitor is a mystic, an intellect or just crazy.  (To the Visitor, it matters not...as stated very early (on page 3); The Visitor was aware of his shortcomings in not being able to see the middle between extremes; however, he would not have changed his understandings for anything. And here, we have the first glimpse into the suffering of the Visitor -  "The Curse of Grace". 

Grace by the understanding of most people is viewed as positive.  As a "blessing" or "comfort".  It is even viewed by many as a virtue.  So to talk about it as a curse, may be strange for you to understand.  However, The Visitor is intentionally very consistent in the non-fictional underpinnings of the central message.  

In Joy and Sorrow (pg 56) the reader encounters the following statement where the Visitor is warning the reader to not make assumptions beyond the moment - but then talks about "pain" and "current state".  This passage, like the novel itself fails to make sense when read from traditional understanding of what Grace is, yet it is doubtful that the reader actually breaks from the rhyme or rhythm of this verse of poetic parable to notice that it is probably discordant with their understanding of Grace.

Do not pre-judge your future
By your current state of grace
For by pain we all are nurtured
Until all sorrow is erased.

Grace to the author is an understanding and acceptance of a Truth which has no need to be defended and may be hard to accept.  It is to face a situation without hope of it getting better, but Faith to accept what is and will be.  It is why the Visitor is described as "hopeless" and goes to great lengths to talk about Faith.

Grace is to accept pain without blame.  Grace is to accept reality without distortion.  Grace is to give up defending, explaining, or victimizing yourself or anyone else.  

The author shares early on (page 2) the central concept of the Curse of Grace when describing who the Visitor was/is:

The Visitor could have been anyone. In fact, he would have argued he was everyone…more or less. He was not extraordinary, he was certainly no angel, and he was far from a saint. He had laughed and cried, felt pleasure and pain, and endured most of the emotional tides
which we have all shared. Perhaps he differed from most of us in his hopelessness. By that I mean he did not believe in hope.
 

It was not always that way. There was a time when he lived every day in hope, but over time the constant cascading disappointments became too heavy a load to carry. It made sense for him to give up on hope and instead anchor himself in Faith - Faith tied to destiny.
 

He would not have been keen to entertain arguments with others on whether life was a series of events open to arbitrary choice or a matter of predetermined fate. Such arguments he felt were fruitless and without consequence. Instead, he was more prone to admire a
perfectly designed system of ordered chaos constantly in flux with individual human choice. He felt there was something beautiful in the concept of unpredictable chaos within an intentional master design: a duality, like body and spirit.

This is the non-fictional underpinning of the Curse of Grace.  Simply put, the awareness and appreciation of a reality that is as dualistic in nature as the Visitor himself. 

Physical - Spiritual; Predetermined - Individual Choice; Chaos - Intentional Master Design.

As the author, I can attest that I have on numerous occasions encountered Grace, but never by my choice or at the time of my choosing.  I have been witness to things I cannot understand, I cannot explain and that defy logic.  Yet those experiences are real.  It has been found while being lost in the eyes of my Beloved while trying to deny Love.  It has been found in isolation and tears when broken down and subjected to intentional hurt by others and struggling to not hurt back.  It has been found in anger for which I can blame no-one; as all anger is owned by the one who experiences it.  Just as all hatred is owned by the one who hate; and blame lies on the conscience of the blamer.

The Curse of Grace is to be aware and to accept.  No matter what the situation.  It is to forgive while hurting.  It is to Love while being rejected.   It is to say a prayer for those who curse you.  Those are the easy parts.  The Curse is where it becomes hard.

It is to let those who you Love suffer rather than betray yourself or the truth.  It is to allow yourself to be judged in cases where defending yourself would allow an opportunity for one to dilute the Truth.  It is to "not forgive" someone (or yourself), when it may be misconstrued as giving relief to a cause for which they are not truly sorry.  At the same time, it is forgiving someone (or yourself) when you are still hurting from damage inflicted when you see that they are hurting themselves and truly ask for forgiveness. Even when you do not want to forgive.

The Curse of Grace is to be aware, and accept that which you do not wish to accept.  To understand that while your body is literally created in pleasure, your soul is born through pain.  

Unconditional Love?

“You would see a flash in his eyes when people used terms like “Love” to describe their favourite meal. To him the word “Love” had been misused so often it was now corrupted beyond any practical use. To the Visitor, Love was a word reserved for the sacred, such as the spirit
of another person - not for chocolate or wine.”

— The Visitor, pg 3

If you have read the blogs up until today, and struggled with the concept that The Visitor is not just a Love story, but rather a story of Love, then today's blog should help you in gaining a deeper understanding.

In this blog, we tie together the concepts of the Visitor's extreme dualistic viewpoint, his views of things either being sacred or mundane, and his frustration with the inadequacy of language.  You will also get insights into the reason why Truth and Love are central themes, occurring over and over again.  It is the essence of The Visitor.  

Within the first three pages we get a glimpse of the Visitor's perspective on Love.  As discussed in previous blogs, the word Love throughout The Visitor is always capitalized.  Love is not used as an adjective, or a verb, but rather as a proper (or even personal) noun denoting something more than an emotional feeling.  As explained earlier, to the Visitor - Love is a sacred word, not to be used lightly, and as such should only be spoken from the soul.

Even for people who might be able to relate to the idea of how easily and often the word Love has been misused,  the Visitor is deeply concerned with the watering down the true meaning of a sacred notion (in this case the notion of Love) that it becomes meaningless.   

There is no such thing as unconditional Love or true Love, as that would imply that there is the potential existence of conditional Love or false Love.  There is only Love. 

One of the more popular, "innocent" uses of the word Love is found within the frequent and flippant quip of "Unconditional Love".  People use it so often, to assert a "strong" Love, that they don't stop to realize that in doing so, they give credence to a notion that Love can be conditional.   I myself literally cringe whenever I hear someone use the phrase, "Unconditional Love".   To acknowledge the existence of one extreme, is to acknowledge the existence of the other. Can you really have anything such as "conditional Love"?  If the answer is no, if it is conditional than its not truly Love; then it is also true that it is impossible to have it's antithesis - "unconditional Love".  This is an intrinsic example of the dualistic world view of the Visitor.   There are no shades of grey.  You cannot have "unconditional Love" without promoting through your assertion that there also exists a "conditional Love".  The fact is, the dualistic polar opposite of Love is hate...and any limits, conditions or anything else you may try to place on Love takes you away from Love.

This concept is really no different than when someone pleads they are telling "the honest truth".  Is there any other type of truth?  Is there a dishonest truth?  When did it become necessary to defend the truth?  As the Visitor makes it clear, defending the truth dilutes it.  

Notions such as "unconditional Love or honest Truth" pollute the purity of the concepts and notions behind Love and Truth.  You can't dilute either without it becoming something else.  A little white lie is a lie - not the truth.  And a diluted Love may be affection, or strong liking, or kinship, but it is not Love.  Love is pure, as is truth. There are no shades of Truth or Love.  They are absolutes.

Combine both of these bastardizations of Love and Truth and you end up with another popular quip that waters down and diminishes both concepts, the cute phrase of "True Love".  Really?  Is there any other kind?  Is there a false Love?  If there is then by it's very definition, it wouldn't be Love, no more than a false Truth would be Truth.

If you are able to say that you have unconditional Love for someone, than you are recognizing by that assertion the existence of Love at times being "conditional" - else why make the distinction?  And if you think you are capable of recognizing, endorsing or enacting a Love that is not unconditional, then simply put, I have to question if you really know what Love is.

Harsh? - Perhaps...

I understand that people don't really think about what they say, or really understand the deeper meaning of what they say, or even the implications or what they say.  They hear something, it sounds good, they repeat it. Innocent enough.

But when you give life or recognition to the idea that there is such a think as "conditional Love" by stressing at anytime for anyone that you have an "unconditional Love" then you are actually part of the problem of supporting the watering down of what is a sacred word.  Love.

This is the point of the Visitor when he is upset by people misusing the word Love to describe mundane things like chocolate or wine.  When you misuse the word, you make the word meaningless.

Besides the notion of Love being sacred, the Visitor recognizes how things may try to "pass for Love which are not, and tells the crowd to be on guard against such things.  In the poetic parable on Love (pg 33) we get a sampling of this notion.  Although the words you hear may be tempting, and may be what you want to hear - do not be fooled.

Do not settle for less than Love.
Such leaves you incomplete.
Do not be tempted by false Love,
Although it may seem sweet.

Stronger yet is the poetic parable on Truth and Honesty, where the Visitor expands on this idea.  In this parable, the Visitor describes how the word Love should stir from your soul (not from your mind), and never be used for describing mundane or carnal notions.  Even more to the point, the Visitor tells those present to take care of careless use of such sacred words, as it is the way of those who would trick you to diminish truths.  As such, using terms like "unconditional Love, honest Truth, and even True Love" simply confuse people.  

Never say “Love” as a word with no weight
Sacred words should stir from your soul
Nor should you ever speak dark words of hate
As dark words of hate take their toll.

When you claim “Love” in describing possessions
You diminish the meaning of your word
So when you say, “I Love” it may lead to questions
And your true passion may never be heard.

Such is the way of the tricksters
To diminish the truths you would speak
To confuse all your brothers and sisters
And to hide the truth you would seek.

Perhaps a simple notion.  Perhaps one you have never really even put you mind too; and your misuse of such words is no more than innocent ignorance.  But when you understand Love, and Truth, you will realize that there is no such thing as half measures.  You can't Love 99% any more than you can claim Truth to be less than 100%.

Love absolute and complete is not a novel concept.  The idea that Love cannot be conditional is easily understood by Luke 6:27 where we are told to "Love our enemies", no strings attached, no conditions;

---

“But to you who are listening I say: Love your enemies, do good to those who hate you,  bless those who curse you, pray for those who mistreat you. If someone slaps you on one cheek, turn to them the other also. If someone takes your coat, do not withhold your shirt from them. Give to everyone who asks you, and if anyone takes what belongs to you, do not demand it back. Do to others as you would have them do to you. “If you love those who love you, what credit is that to you? Even sinners love those who love them."

---

If you can relate to this concept, then you are well on your way to understanding The Visitor as not just a Love story, but a story of Love.  In closing, and to drive the essence of The Visitor home, I leave you with 1 John 4:8 to emphasize why the word Love is viewed by the Visitor as a sacred notion.

 Whoever does not love does not know God, because God is love.

Until next time,

Journey in Love

Michael Paul

Willful Blindness

As promised in the previous blog, today's blog is on another central element contained within The Visitor.  The good news is this concept of willful blindness is a little easier to grasp than the theme of Duality and the Singularity (see previous blog).

Although this theme of willful blindness is easier to understand, what may surprise some readers is how frequently this theme plays out in only 90 pages.  That said, the reader should start to be familiar that within The Visitor, due to it's reliance on poetic parables, such central themes can be invoked numerous times in less words than say...these blogs.

In the prologue on page viii of The Visitor we see the first hints at the context being set up to discuss willful blindness.  Shared, but maybe not emphasized to the same degree, is the strong
suggestion that deep within us, in the silence of our souls, we know intuitively the differences between what is right and what is wrong.

The contextual set up in this sentence prior to the story beginning is the idea that we know...intuitively (or instinctively) things which we don't necessarily have to be taught, but rather we possess a knowledge, (although we might not be conscious of it), even if we ignore it rather than look within ourselves to raise it to the forefront of our everyday knowledge.  But it is there, (and it is universal - see other parts of The Visitor regarding the theme of universality).

 Page 1 of  The Visitor is actually where the theme plays out this theme with a warning from the narrator, where he basically says, before you continue reading, the Visitor would warn you:

You cannot unsee what you have seen
Nor unhear what you have heard.
Turn around now and take your leave
Or you too will own each word.

This is a literal warning to the reader.  You can only claim (and at best it's a "claim") ignorance (i.e., innocence) if you are not aware of "the rules, or the law, or social mores" etc.  This is a familiar claim, played out in the innocence of children and in the courtrooms.  The defence of "I didn't know!" The tricky part is sometimes this is true, and other times it is more of a "willful blindness" rather than a true "ignorance".  Hence the opening warning...once you "know" the plea of innocence is gone and all that is really left as a defence is "willful blindness".  Disagreement does not provide a defence.  You may disagree that driving 150km/h is not dangerous, but if you know the posted speed limit is 50 you may find your defence of personal opinion or disagreement with the rule/law may not be successful.  Truth cares little for personal opinion.  You might believe a bottle marked poison is harmless, but that personal belief may provide little comfort if you consume the contents.

To be willfully blind is to allow yourself to be blind towards your actions, inactions, reactions and to defend your actions, inactions or reactions in order to limit or decrease your guilty or culpability.  But it goes farther than that.  To decide not to read a safety manual, even though there are warnings and pleas to "Read First" is another form of willful blindness.  To not want to know, or to be too lazy to know, or to not care to know are all forms of willful blindness.  

Therefore the warning on page 1.  Once you are aware, you are aware.  You can still try and claim willful blindness, but in actuality, and in truth, your defence is only that - a "claim" that has no bearing on the truth or fact of what you do know...regardless how loud your pleas of "innocence, not knowing, not understanding, or not being aware" are defended.  Therefore, what you become of aware of, (by continuing on reading), has the power to ensure your ignorance, your not understanding; your veil of innocence and ignorance; is lifted.

You become responsible and accountable.

The Visitor shares many times the idea that even if you don't care to listen to him, you are already aware, as are we all;

• Pg 12 the Visitor shares the idea that not only do you know, but you try hard to forget you know, to the point of "staying blind" - and what he really is sharing is just what he has learned from you.

Though you try hard to forget
And stay blind to what you see,
What I share is just my debt;
To give you back the you in me.

• Pg 13 The Visitor illustrates this point further when he asks who he is to share the message that you already own (know) and longs to find its way back home (to you, from whence it came).  These secrets (buried knowledge/awareness) you know well and deeply (within your heart); the fact that you stay blind to the message is the concept of "Willful Blindness".

Who am I to deliver?
This message which you own
Which you freely shared with me
And longs like you - to find its home?

The secrets that you know too well
The message in your heart
If there were time, then time could tell
If this is the end, or just the start.

• Further yet on page 15 - the Visitor makes it even more clear he has no answers to give you that you do not already know, and that the "truths" already reside in you.  At best, he shares reminders of what you know within your own heart...even as you turn a deaf ear (Willful Blindness).

What answers can I give to you
Which stir not in your soul?
What truths can I reveal to you
You don’t already know?

I can only share reminders of
What’s written in your heart,
Even as you turn deaf ear,
The end is but a start.

• Page 20, we here the same theme from the Visitor:

The answer to your query
Already lives within your heart.

• Page 29 is another example that the answers already lie within you when the Visitor says to look in to your own heart to see if you are worthy to be an instrument of giving what you have received.  To plead ignorance to this is again just another example of Willful Blindness:

Do not tell your stories, of those undeserving
To justify your charity or greed.
Rather, look in your heart to see if you’re worthy
To be an instrument of giving; what you have received.

• One more example (but not the last instance) just to share how this theme is repeated you can find on pg 47 where the Visitor says, that when searching inside (speaking to your soul) you will not always hear what you want to hear (the truth) but to listen and not be tempted to be Willfully Blind by turning a deaf ear (ignoring what you know is right).

n speaking to your soul, it will not always say
What your ears are yearning to hear.
Do not be tempted by sweet words that sway
And blindly turn deaf your soul’s ear.

---

I could go on with more examples illustrating this concept of Willful Blindness discussed in The Visitor but it perhaps will mean more if you find the other examples yourself.  Afterall, as quoted in The Visitor in the poetic parable on Knowledge, the truth is already within you, there for you to find...a journey only you can take.

He does not impede learning by insisting he’s right
But leads you to truth from within.
He fears not the darkness nor turns from the light
Takes note of the good while ignoring the sin.

He strips you from reason to reveal the truth
For these visions he sees are not yours.
He guides you to knowledge that lives within you
And leaves you - to open the doors.

Until the next blog where I will outline another central theme contained within The Visitor; one that may be a bit more entertaining if not for the shock value - "Unconditional Love???"

Journey in Love

MIchael Paul

Duality and The Singularity

I was going to release the blog on "Willful Blindness" (3rd stanza of Silence is Broken, pg., 12 of The Visitor) but instead have been moved to release the first interpretive "senior level deep dive".  This blog is a little harder than previous blogs, and I believe it takes some effort and openness to understand.  At least it did for me.

To me, and for me, The Visitor is a challenging read, which might still unsettle some people when you consider I wrote it.  As my wife would attest, The Visitor (and The Corvus Chronicles) has been a struggle for me to write. Although The Visitor is only about 90 pages; it may has well have been one page or a thousand pages as the story itself is too large for words.  (As the Visitor would have said - language and words are inadequate).

As I shared many times with my wife (my Beloved) the story itself is bigger than I am.  I would go into my office, light my three foot high candelabra, clear my mind and start writing.  Sometimes the words would flow.  Sometimes they would stop.  Some nights I would get up from my sleep and simply delete everything I had put down.  Constantly I worried, and still do.  The Visitor is literally a work of Love. I do not believe it will ever be or is meant to be a commercial success.  I don't believe that I will in my lifetime ever meet anyone who truly can interpret it entirely successfully.  I do believe however, that it is meant to be, and that sometime someone will look upon this and achieve what I was never able to...  Understanding.

So today's blog is the first "senior level" deep dive - an attempt to interpret an important theme that runs long past the limits of 90 pages.  It is what I would call "the first golden key to understanding".  To those who can suffer through this blog, it will make sense why it needed to come now before the blog on "Willful Blindness".  In fact, anyone who can even slightly understand this current blog will no doubt see through the surface love story, and will start to get a larger understanding of The Visitor as a story of Love.

---

“The concept of a singularity runs through The Visitor in many instances, including references to the themes of “silence”, “universal language” and “we are one”.”

Duality and The Singularity are important concepts throughout The Visitor.  The reader will no doubt pick up some of the concepts on "duality"; but the unspoken larger part is in "the singularity".  The singularity is obvious once pointed out, but until the reader becomes intrinsically aware of it, the concept of "the singularity" probably remains unnoticed.

Duality

There are many instances where the dualistic nature of The Visitor (as a book) and the Visitor (as a character) occur.  An obvious example is found in the first paragraph of Chapter II The Needs of Many pg 17.

The conversation, like the Visitor himself, was almost dualistic, moving from one extreme to the other, yet meeting in the
middle like a circle where the end and the beginning can be anywhere and everywhere at once.

This concept may be symbolized in many ways, but one of the more recognized ways is the "yin and yang" symbol.  This symbol is typically represented by contrasting elements (black and white) arranged in a circle yet intersecting in the middle through their curve.  It is a contrast and balance of "black and white", "negative and positive", "good and bad", "wrong and right", "spiritual and carnal (mundane)", "earth and heaven", "night and day", "on and off", "in and out", "positive and negative", etc.,

Such extremes and dualistic opposing forces are encountered throughout The Visitor.  From Joy and Sorrow, to Pleasure and Pain, to Life and Death.  But there is even more beyond the subject matter and the defined dualistic personality of the Visitor.  

There is "...the beck of the crow and the call of the stars..."  In that case the crow is black, the stars white, the crow is earth (fleshy) the stars heavenly, the crow symbolizes death, the stars heaven and life.  It is also not a coincidence that the black "earthly" crow transforms to a white "heavenly" crow from the reflection of the lightening at the moment of the Visitor's death/birth.  The symbolic crow is confined to earthly dimensions no matter it's ability of flight, the stars heavenly, although they may "fall" from time to time.  It is no coincidence that in writing The Visitor and The Corvus Chronicles I became obsessed with crows and stars, and this obsession is still persistent as I try to interpret.  The scene of the crow and the magpie, the ever present crow, and failing health are all from true events.  The moving out of the city to the country and the gift of a telescope to see the stars,...all real life.  This is another example of where the story crosses at times from fiction to non-fiction without notice or apology.  However, it must be noted that the character The Visitor, is not me.  But there are real life elements used in helping to portray who he is.  The fact that I found a meteorite on our home out of the city below where the crows constantly soar over-head only makes the writing a bit more esoteric. 

“The Corvus Chronicles follow the struggles between the desires of the flesh and the pull of the spirit while balancing the discord between
our external and internal selves. Together they form one story on a journey of Love.”

— The Visitor, Page 87 "About the Author

On page 87 in the About the Author section this personal view is shared openly with the reader in describing the dualistic nature of the story.  

Singularity

At the same time we find examples of dualism throughout the novel we find the concept of "singularity".  

Perhaps one of the most instructive examples are stanzas 3 and 4 in the poetic parable on Joy and Sorrow (Pg 56).  Although the topic, Joy and Sorrow may appear dualistic, the parable shows the balance where they come together...(the singularity).   In this parable the Visitor describes how laughter (joy) and tears (sorrow) are born of the same place (Spirit).  The parable then goes on to talk about "universally shared state" of these "spiritual expressions - prayers".  Here we find both the dualistic and singularity together.

Within yourself where your laughter is born,
Is the place that gives birth to your tears.
Whether you smile or whether you mourn
‘Tis your spirit simply talking in prayer.

Your joy and sorrow are not yours alone
They are both universally shared states
Unless your heart is carved out of stone
Such feelings are our shared human fate

There are more examples of this throughout the book, but one more obvious example is in the poetic parable on Good and Evil (page 48).  Again, the subject Good and Evil are two extremes or dualities, yet we witness the Visitor describe that they are not only two different sides of the same coin, but "they are one though can never be joined"!

Good and evil are like joy and sorrow,
They are two different sides of one coin.
While one sleeps today, one wakes tomorrow.
And though they be one, they can never be joined.

This is the concept of "dialetical monism".  

This concept I was first attracted to in 1983 when I came across the concept at University.  It was around the same time I discovered some of the works of St. Thomas Aquinas and "the golden mean".   While the eastern influence of yin and yang and the western influence of St Aquinas may appear totally different, I was almost in awe of the similarity.  It is no surprise looking backwards why I connected with the writings of Thomas Merton, a trappist monk who felt there was a lot to be gained in inter-faith understanding.  As such, it should be no surprise to readers of The Visitor the influence of connectedness, universal language, and "we are one" comments throughout the novel.

But back to the idea of "dialectical monism".  The term itself can be roughly translated into the unity between "duality" (dialectical) and "singularity" (monism).  It describes the indescribable; the connection between the paradox of simultaneous unity and duality.  How the extremes can exist together.  This is the basic nature of the Visitor.  As the narrator shares in page 3 of The Visitor " He [the Visitor] felt there was something beautiful in the concept of unpredictable chaos within an intentional master design: a duality, like body and spirit.

From here we can start to understand both the nature of the Visitor, and why he felt he was destined to find his Beloved to become complete.  The Visitor is "dualistic" to the point of only being able tor recognize the extremes - for example from Pg 3  of The Visitor:

He was not the easiest person to suffer at times. He was black or white, hot or cold, in or out. As such, it was not surprising that he viewed most things (if not all things) as being either sacred or mundane. By all accounts, he lived within dualities and extremes.  The Visitor was aware of his shortcomings in not being able to see the middle between extremes; however, he would not have changed his understandings for anything. He believed it was this shortcoming of being black or white that had brought his Beloved into his life. She was his rainbow, his connection to the parts of life he could not grasp…

What is important to understand, that without the influence of the Beloved, he was incomplete.  The Beloved is never described as "grey"...the intermediate between "black and white", but rather as his "rainbow".  

Welcome to the senior level deep dive.

Two extremes (black and white) which together are made up of all the colours of the rainbow without any shades of grey.  These attributes exist at the exact same time.  All the various colours are contained within white light.  Whether we can see them or not, matters not, they are there, and for those who doubt this simply shine a white light through a prism.  The same when we look at the earthly black pigment when all colours are combined and light is not reflected, we see black.  Not grey.  The duality and the monism.  White and black are both created through the use of "all colour" and the difference is only seen if we are looking at "light" or if the light is absorbed by pigment and reflecting no colour, at which time we see black.

The Beloved is "the connection".  She is what unites the dualistic extremes of the Visitor. Page 6 of The Visitor:

Through her, and with her, he learned who he was. No easy task. Without her, he was not an easy person to get to know or want to know. He was aware of this, but still, he had little desire to change. He liked who he was and he loved the fact that she was in many ways his opposite. She was his missing “peaces”.

The Visitor is "incomplete" without the Beloved.  His dualistic view of the world robs him of peace.  He see's things as "black and white", "sacred or mundane", "earthly or spiritual".  It is a struggle he constantly balances.  This struggle is revealed on page 21 of The Visitor in the poetic parable "Hiding our Nakedness".  Here we see the narrator recalling an event prior to the eve of death where the story takes place.

For months I had heard the Visitor say, “We are one.” At first I thought he was speaking “spiritually”, but it was a little out of place for him to be overly evangelistic. In fact, he deliberately shied away from piousness to the point of being almost inappropriate. I confronted him once about the way he talked as it seemed to compromise his sincerity.  

To which the Visitor replies: 
There are many different ways to go;
Your journey is not mine.
Trust me, you don’t want to know
The path etched in my mind.

To the Visitor, the struggle is real.  The desires of the flesh and the pull of the spirit.  Both are in existence at the same time.  And it is not the "greyness" of right and wrong which are merely moral constructs.  The Visitor talks about the gift of everything from eating meat to having sex. There is no judgment on the needs of the fleshy shell which house a growing spirit.  This is the struggle between the needs of the flesh and the needs of the Spirit.  A duality and a paradox which are connected.

In the poetic parable on Self-Knowing, page 70 these concepts get deeper.  He in speaking about death (for whom the bell tolls) the Visitor is talking about life (join life's procession).  A deeper duality is again seen in the "no one knows" and "nothing is left to chance".  This is where the concepts of "UNKNOWN" and "PREDETERMINED" are united, even though they are extreme opposites.  This fact probably again slides by the reader.

No one knows for whom the bell tolls
And nothing is left to chance
In time your body will shed your soul
To join life’s procession and dance.

On page 76 in the poetic parable on Death this concept is further developed.  Here the Visitor talks about earthly death in the first line being akin to birth, and in the last line how in death their is no death.  This is the procession of life.  Again, two dualities brought together.

Your soul, released from earthly ties
Like a babe from its mother’s womb,
Leaves comfort of darkness yet never dies
As in death there is no earthly tomb.

This concept is nothing new.  See the duality, the monism, and the procession altogether in Corinthians 1 : 15 :

40 There are also heavenly bodies and there are earthly bodies; but the splendor of the heavenly bodies is one kind, and the splendor of the earthly bodies is another. 41 The sun has one kind of splendor, the moon another and the stars another; and star differs from star in splendor. 42 So will it be with the resurrection of the dead. The body that is sown is perishable, it is raised imperishable; 43 it is sown in dishonor, it is raised in glory; it is sown in weakness, it is raised in power; 44 it is sown a natural body, it is raised a spiritual body....

Another example to me is the concept of the Trinity.  There is "the Father" (monism, one God) from which derive and exist at the same time "The Son" (God made flesh through Jesus) and "The Holy Spirit" (Spirit derived from one God).  An earthly form, a heavenly form and a form above and beyond which made both the heavens and the earth from which both are derived.

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So that my friends ends the first "senior level deep dive" into interpreting The Visitor.  It is as I described "the first golden key" to understanding.  The dive could be deeper, as there is much more within the them of Duality and the Singularity.  I barely touched on St Aquinas' "Golden Mean", but for those really curious you can refer to that on your own and then read the poetic parable on Courage where the Visitor talks about the soldier and the coward.

Anyway, congrats if you made it this far.  If you did, and grasped any of this I am sure the next time you read "The Visitor" you will read a far different story than you did the first time around.

Until next time

Journey in Love

Michael Paul

Silence is Broken

“In the midst of confusion and near the conclusion of where reason had stripped away truth, the Visitor walked towards a familiar hill in the city closest to his home.”

— The Visitor

Chapter II of the Visitor starts with a smooth flowing sentence that is not so smoothly understood.   This simple sentence is instrumental to understanding The Visitor.

                                                                        In fact, this sentence is so essential to understanding The Visitor, that the earliest draft versions of the cover-page contained this quote.  This was actually one of the earliest lines of the novel which came into existence, and provides some insights into the mind of the author during the process of writing The Corvus Chronicles.

In this blog I am only going to focus on the first half of that first sentence..."In the midst of confusion and near the conclusion of where reason had stripped away truth,..." Those few words will be sufficient to provide an intermediate deep dive into interpreting The Visitor.

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Warning: this interpretive dive is not for the faint of heart.  I highly recommend hyper-imbibing with a nice Merlot prior to attempting this dive.  To interpret this first half of the first sentence, it is helpful to break it into three separate “chunks”. 

1.      In the midst of confusion

2.      and near the conclusion,

3.      of where reason had stripped away truth.

• In the midst of confusion:

The Visitor itself is a story which starts near the end…(the eve of death of the Visitor). However, The Visitor is only one of the books in The Corvus Chronicles.  What the reader might not understand is that The Visitor, while released first, is not the first book of the Corvus Chronicles, but rather it is actually book VII.  Not quite near the end, not at the beginning, but rather in the midst (and near the conclusion) of the story. 

The reader is made aware there is more to the story from the quick glimpse of the life of the Visitor in the opening pages.  Fifty years are recapped in under two pages between pages 5 and 7.  To understand who the Visitor is, why the story is recorded, or even why it was important enough for the narrator to “record” the event is a little puzzling, or confusing. However, the reader should be aware, that to the narrator, the story was important enough to "write the story”.  The second paragraph of The Visitor makes this point very clear, where the narrator shares:

Again, I must stress that these words are not mine. I am a mere instrument of the message. I am attempting to tell the story and record the messages as I have witnessed. While I have tried to stay true to the message, I fear that in my own translation much of the understanding is lost. However, I take no small amount of comfort in knowing that it is not until we are lost that we begin to search for our way. 

What we can take from that, if we really try to understand the narrator, is that he is sharing a “message”.  In fact, he is telling the reader that he is trying his best to “stay true to the message” …” but the message is not his own, and he is even fearful that in his “translation” of the message, understanding may be lost”.

A strong hint to the feeling of “confusion and feelings of being lost” are found in the excerpt of the next novel which is shared at the end of The Visitor.  That excerpt is from a prequel to The Visitor - The Stranger. 

What the reader has no way of knowing at this time, is in The Stranger, (which is not just a prequel to The Visitor, but is actually book one of The Corvus Chronicles) the scene which is taking place is the coming to grips of a loved one who is suffering from medical trauma involving the brain (the organ of 'reason').  The confusion, and being in the midst of confusion is a real life event.  Here is a concrete example of where the story moves from fiction to non-fiction without notice or apology (as explained to the reader in the prologue of The Visitor).

The reader is literally being pulled through a story they are unaware of, a story which begins before the book they are reading.  This part is extremely literal to the process of the narrator, who after all is “recording the events”, which is a pretty strong hint that the narrator of The Visitor is in actuality “the author”.  

“BONUS INTERPRETATION POINTS!!!
If you’re really curious about the author/narrator and consistency...start to ponder the following;

If the narrator is the author, and if the author dedicates the novel to his Beloved, then how can someone else (The Visitor) be with the Beloved in the novel?  How, if The Visitor is not the narrator (which he isn’t) be with the Beloved and the story be consistent?”

So the reality is, from the narrator/author point of view, the story is occurring in the midst of confusion – and the reality is that to the reader, while they may or may not be aware, the feeling of “confusion” is being placed upon them.  What is far too complex to get into in this “intermediate deep-dive” interpretation, is why has the sentence changed from the singularity into the plural.  Why has the narrator/author changed from using the word “I” to the words “we / our”.  That is for another day, but there is a very real change that again probably slips by most readers due to the smooth sound of the sentence.

• and near the conclusion:

As already shared, The Visitor is not the first book in The Corvus Chronicles.  The Corvus Chronicles are made up of eight separate “novellas”.  Although The Visitor is the first novella published, it is actually number seven of eight.  So The Visitor is near the conclusion, but is not the conclusion of the story.  The actual order of the novellas are:

1.      The Stranger,

2.      The Beloved

3.      The Crossing

4.      The Calm,

5.      The Storm

6.      The Awakening

7.      The Visitor

8.      ….and then the final Chapter... which cannot be named at this time without giving away the story prematurely, or prior to the reader having had the ability to discover the ending on their own.

However, for the purpose “within” the novella The Visitor, this part of The Corvus Chronicles is taking place on the last few hours before the death of the Visitor.  So, it is also very much taking place “near the conclusion” of the Visitor’s earthly visit. 

(Note:  instead of “death” I have used the term “earthly visit”… which is in line with the actual reason for the title of ‘The Visitor”.  Although the story takes place on the “eve of death”, the story is not about death at all.  In fact, it is quite the opposite,…but again, that is too deep for an intermediate deep-dive and will have to wait for another blog and much deeper interpretation to understand why the main character is only ever referenced as ‘the Visitor”.

• of where reason had stripped away truth:

This is where the "intermediate deep dive into interpretation needs to occur to start to understand what is really going on in the novel.  While the reader can relate to the story being confusing, and somewhat near the conclusion...the idea of "where reason had stripped away truth" is more challenging.  This concept is essential to understand or interpret “The Visitor”.   If you have been following the blogs in an attempt to understand The Visitor and the message within the story, then you know a few things that will help you:

1.      The Visitor is more than a Love story, it is a story of Love.  There are two separate stories occurring parallel with one another at the exact same time.  You will also understand that to the Visitor, "Love" is a sacred term, and whenever it is used it is in contrast to the mundane connotations of common usage.

2.      The Visitor as a character within the story is described very deliberately as “dualistic”.  He sees the world in black or white, in or out, right or wrong, sacred or mundane”.  (In fact it is argued that any essence of things in between he is only able to perceive by his Beloved)

3.      The Visitor is never referenced by name.  Even though this story takes place in the hours before his death, he is not referenced by any name or by any other term such as “The Departed” or anything like that.  In fact, the poetic parables talk about “the procession of life” and about the similarity between death and birth.  The Visitor himself references himself simply as “a guest” who’s time it is “to leave”.  

4.      There are total chapters and poetic parables devoted to the notions of “Knowledge” and “Truth”.  These are concepts important enough and intrinsic enough to the understanding of the story that they have their own chapters devoted to them.  

If you are aware of these few things, then you might be ready to tackle the interpretation of, “where reason had stripped away truth”.  This is best done by understanding that the two main terms, “reason” and “truth” are set as “counterpoints” to each other.  The terms as used within the story and this sentence are not interchangeable.

Michael Paul:

It is never about being ‘right’; but rather, about uncovering the ‘truth’. 

Michael Paul, The Visitor, pg ix

For the purpose of interpretation,  "reason" is the rationale mind which draws conclusions based by observable experience.  It is akin to understanding the relationship between "cause and effect".  It is in essence the human mind (ie., fleshy brain).   At the beginning of The Visitor, we are exposed to this notion of "cause and effect" as shared by the narrator when describing an early experience of the Visitor. 

Though unable to understand why the birds behaved in this way, he was aware they were responding to his acknowledgement. His choice determined which bird came closer. His actions had consequence,even if he did not understand what the consequence meant or why
the birds behaved as they did.

This is the narrator explaining the nature of "understanding, awareness, consequences", basically "reasoning".  The Visitor was aware or understood his actions had consequences - even though he did not understand "why".  This is the nature of reasoning (or reason). 

Towards the end of The Visitor in the poetic parable on Faith this acknowledgment of the limitations of reason becomes evident.  In this section the Visitor shares the following:

Faith is not exclusive to any one church.
Faith is relentless - beyond reason or belief,
Believing in more than can be found in the search
Accepting what is without proof of relief.

Simply put, the difference between reason and Faith is spelled out clearly.  Faith is relentless - beyond reason or belief.  This is in direct contrast to Truth, which is not bound by limits or understanding.

Reason is often seen as a "rationale" argument, cause and effect, understanding, logic, even common-sense.  It is effective for successful protection of the material, of the flesh, of everything physical.  In essence, the mundane or carnal.

Truth, to the dualistic view and nature of the Visitor is the polar opposite.  Truth does not require argument, logic or common sense.  It exists beyond the material, the flesh or the physical.  It is in essence, the sacred.  Belief or proof or argument does not change the Truth. The truth simply is.  

This distinction is made very clear at the outset of The Visitor, in page ix, before the story begins where the author shares, It is never about being ‘right’; but rather, about uncovering the ‘truth’.  This idea is so central to the novel that it is repeated right after the prologue on pg 3 of The Visitor; To him it was never a matter of being right, but rather of uncovering the truth.

There is a distinct difference between what we see or argue as right, to what we may or may not see but is True.  This is the dualistic view of the Visitor.  It is the physical against the spiritual. It is the carnal against the sacred.  It is the conflict between the push of the flesh and the pull of the Spirit.  And it is something which the Visitor see's no value in arguing.  For example, see page 2 of the novel:

He would not have been keen to entertain arguments with others on whether life was a series of events open to arbitrary choice or a matter of predetermined fate. Such arguments he felt were fruitless and without consequence. Instead, he was more prone to admire a perfectly designed system of ordered chaos constantly in flux with individual human choice. He felt there was something beautiful in the concept of unpredictable chaos within an intentional master design: a duality, like body and spirit.

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If you were able to follow this last part then you are ready to understand the sentiment, "...where reason had stripped away truth..."

The arguments, the understanding, the acceptance, the reason of everything makes no sense.  Why be born to die?  Why find joy just to suffer?  Why anything?  

This is the message. This is the central point of why the Visitor leaves his home to gather with those he Love's prior to leaving.  This is the reason why the story is important enough to be transcribed by the narrator.  

To understand the story, you must enter it where reason had stripped away Truth, and find that all reason really did in it's stripping of the Truth, was "uncover the Truth". 

Hence: 

In the midst of confusion and near the conclusion of where reason had stripped away truth, the Visitor walked towards a familiar hill in the city closest to his home.

Remember from the earlier blogs,  the beginning is always somewhat vague, and it is only at the end that clarity begins.  So here...near the conclusion, amidst the confusion, where reason has stripped away - and uncovered the Truth...here begins "clarity".

Until next time, Journey in Love

Michael Paul

Beginnings are always somewhat vague...

“So how did he come to be here, at the beck of the crow and the call of the stars? If he had been asked, the Visitor would have simply smiled, knowing that beginnings are always somewhat vague, and it is only at the end that clarity begins. Today, things would become clear.                      
 Pg 6  The Visitor”

This blog picks up the narrator speaking on behalf of the Visitor on page 6, answering a question posed to the reader, but answered by the narrators interpretation of how the Visitor may have answered.  This is the first "intermediate" deep-dive of the blog interpretations.  The deep dives prior to this one have been beginner level.  Here, the reader will get the first taste of what The Visitor really is about.  There are clue's sprinkled throughout, but it will take a complete literary paradigm shift to understand, that on the many levels of this story; it is the duality of the Visitor's nature, and the duality of the chapter subject matter which frames the essence of understanding. 

Most readers who might try to ascertain the meaning behind the three sentences on page 6 might well focus on the crow, or the stars.  While the images of the crow and the stars are symbolic; the real meaning is to be found in the words which slip by unnoticed.

To be sure there is a lot happening here in these three sentences.  It is hard enough to wrap your mind around the idea of the various forms of communication that are happening.  The narrator asking the reader a question; the narrator claiming to know the answer asked to the reader by imposing thoughts onto the Visitor, and in the Visitor's assumed answer without a word from the Visitor, but rather an answer of silence portrayed by a smile assuming knowledge.  All this finally wrapped up by an assertion of the narrator that "Today, things would become clear".  But clear to who?  The Visitor, the reader, the narrator?  

At this point, most readers will actually have lost track of the question, which is simply..."So how did he (the Visitor) come to be here?"   It is the notion of "here" that will become clear.  

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Remember that this novel takes place after the death of the Visitor.  So is here a geographical location?  No, that is explained in depth that the Visitor leaves the city with his Beloved and returns only the eve of his death.  We know geographically, more or less where he is.

So is the "here" being referenced something else? A state of mind, of peace, or awareness? Most readers will not even question this.  However from the perspective of the "author" the here being referenced is closer to a state of "awareness", but also one of acceptance (eve of death), but yet more to the point...a state of "Grace".

That is there "here" being referenced.  Remember, the Visitor already argues against the existence of "time" being anymore than a physical notion.  And time and space to the Visitor are relative.  What the Visitor talks about more is "the procession of life" from the body housing the seed of the Spirit - and about growth through Love.  The "here" is really referring to a "state of Grace".  

So the real question is..."How did he (the Visitor) arrive at a state of Grace (here)?.

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From page 2 in the chapter Corvus we already are aware that the Visitor’s state of Grace is not due to any unearthly personal attributes.  The Visitor could have been anyone. In fact, he would have argued he was everyone…more or less. He was not extraordinary, he was certainly no angel, and he was far from a saint.

As such, any such state of Grace the Visitor is in would seem to be attainable to anyone or possibly even everyone. Perhaps a hint to how he came to this state of Grace may be found in the chapter on Prayer.  In that poetic parable (the story within the story) we hear the Visitor’s recorded words as:

Words are not required to speak to the spirit.

If you forget how to pray, then be still.

Stay silent and listen - and your soul - you may hear it

Faith like Grace, is more than free will. 

This idea that Grace is more than free will takes us to the notion that you can’t simply “want it” or “make it happen”.  It is more than free will.  So, this state requires something outside of personal control (or free will).  If the reader can hold the entire context of the novel at once, then within the idea of “Grace, and awareness, and acceptance” you might refer to the poetic parable on Knowledge, where the Visitor shares:

That being said, understand what I say

Your prayers - they are still being heard.

So, let no man ever stand in your way

Of accepting or rejecting the word. 

Simply put…the idea that your prayers are being heard (even if your may wonder if that is the case) is contrasted with the idea of never letting any man stand in your way of accepting or rejecting.  So the idea of knowledge, attached to prayer, being heard is outside the realm and control of others… if you don’t allow others to interfere.   This is reinforced again in the central message when you take stanza six on the poetic parable on Prayer into consideration.

I wish I could teach you how to pray in words,

But God listens not to your muttering,

Except for the times He Himself can be heard

Through your lips at the time of His choosing. 

Here is the connection the “your prayers being heard”…but now the tricky part in describing “the state of Grace”.   Here the Visitor states that God listens not to your mutterings…except when He Himself (capitalized therefore referencing God) utters them through your lips at the time of His choosing. So it’s more than freewill.  There is intervention to attain this “state of Grace”.  You can’t simply choose it to happen.  Yet, your prayers are being heard…but not necessarily through your words or at the time of your choosing. Sound familiar?

Romans 8:26 In the same way the Spirit also helps our weakness; for we do not know how to pray as we should, but the Spirit Himself intercedes for us with groanings too deep for words;

So all that said...we might now understand that what becomes "clear" is "how the Visitor arrived at this state of Grace"...but we still don't know how he actually arrives there.  Even with this interpretation, we only understand the question - not the answer.

To understand the answer requires the reader to digest the full Corvus Chronicles. Remember, The Visitor is only the beginning of the Corvus Chronicles - and as already stated clearly...'Beginnings are always somewhat vague".  So while the answer may not yet be revealed, at least now you understand the question.

Until next time...Journey in Love

Michael Paul

The Truth is Out There

I could never quite figure out if he was admiring the night skies, or if he was just deep in thought or prayer. I asked him once, and his answer was simply, "Is there a difference"?

Today's blog is looking at one simple sentence on page 5 of The Visitor.  In this sentence, the narrator is providing the reader a glimpse into the thoughts of the Visitor.  But it is more complex than that.  Ready for the next deep dive into interpretation?

First off, I know that currently there are less than 75 people following this blog on and off.  And I am more than pleased with that.  If there is one person who one night finds something within this blog, than that is success.  And I can guarantee you that there is at least one person, even if that one person is me, the author of The Visitor and The Corvus Chronicles.

As I have explained to my wife, I am constantly struggling to interpret what I have written.  Over the 18 months it took to draft the first 90 pages which makes up The Visitor (one of the eight books which together make up The Corvus Chronicles) I tried to come to grips with a story that is much bigger than myself.  The story folds in on itself and has very many layers.  The easy part is understanding there are two separate stories which run parallel to each other at the same time.  A Love Story, and a Story of Love.  

The book itself is set up to deal with a procession of Life.  From basic needs, to family, to society, to values, to Faith and beyond this fleshy existence.  But even within the various sections, poetic parables, paragraphs and individual sentences there are interactions which are occurring which the reader will not notice.  Some are cryptic (such as actual names), some are illustrated by a change in font, some by a misspelling, some by a change in language or pattern of expected rhyme.  All those are the more apparent stumbling blocks which are meant to trip the reader up, to slow the reader down and to take note.

However, just as many instances occur that run so smooth they will not be noticed.  This is the case with the simple sentence - I could never quite figure out if he was admiring the night skies, or if he was just deep in thought or prayer. I asked him once, and his answer was simply, "Is there a difference"?

In this exchange, there are two people who are both in active in their own experiences.  The exchange of the question tells us they are "together", but prior to the exchange (the question and answer), both are in their own space.  We can assume that if the narrator is thinking, and the Visitor is in thought or prayer that prior to the exchange their is silence.

In the void of silence we are witness to what we all experience daily.  Our thoughts, and how they can be consumed by thinking about someone else, while someone else is not necessarily thinking about us.  In this case, the narrator is wondering what the Visitor is thinking about, (or even if the Visitor is thinking).  The Visitor while answering the question does not provide a direct or maybe even expected answer.  We know that it was never fully answered, since the entire novel is written after the passing of the Visitor, yet the fact is that the narrator is still saying, "I could never quite figure out.." 

Two different experiences, yet a shared experience.  To different perspectives yielded in one exchange.  How can we be so close as to have an intimate exchange yet still at the exact same moment be so alone that our interpretations of the event are not the same, nor even necessarily understood?

Even when we think communication and a shared understanding has been achieved, we are witness to the way the narrator tells the story that it wasn't.  Even after the death of the Visitor, he had still not figured out whether the Visitor was just admiring the stars, in thought, or in prayer.  Yet most readers will not notice this exchange is not complete, no common understanding is arrived at, and we really only get insights into what the narrator is thinking.  The Visitor's response is "assumed" to mean something, but what that means can differ greatly between different people.

Is there a difference between admiring the skies or praying?  Does it depend on the person and the situation? Can both be done at the same time?  Is there a difference between being deep in thought and praying?  Is there always a difference?  Can you be deep in thought while admiring the skies?

What is the connection, even symbolically speaking between using the term "the heavens" to describe the starry skies and "heaven" as it is used in religious dialogue?  

Stars themselves are referenced numerous times in the Bible, for example: Ishaiah 40:26

Lift your eyes and look to the heavens: Who created all these? He who brings out the starry host one by one, and calls them each by name. Because of his great power and mighty strength, not one of them is missing.

This line makes it pretty obvious that you can do all three things at the same time.  "Lift your eyes and look at the heavens (so looking at the stars).  Who created all these? (thought). Recognizing the power and the might and the strenghth (prayer).

“The heavens declare the glory of God; the skies proclaim the work of his hands. Day after day they pour forth speech; night after night they display knowledge. There is no speech or language where their voice is not heard. Their voice goes out into all the earth, their words to the ends of the world…
— PSALM 19:1-4”

To the Visitor, it may very well be that there is no difference.  Admiring the beauty of the heavens, to think about the world, the universe and beyond, and to be amazed and in awe can all be the same thing as prayer, thought and admiration occurring simultaneously.  To the Visitor, it may very well be hard not to entertain all these things at once in almost a gestalt manner.

Can you separate the thoughts?  Can you separate your actions?  From the context of the Visitor, the argument would probably be no.  Proof for this comes in the poetic parable on Religion where the Visitor is quoted as having said -

Who can be true in their words and their ways
And separate their Faith from their actions?
Who can divide the moments of their day:
“This be for God, and this for my passions?”

The Visitor would argue that you can't separate Faith from your actions, and does not limit what those actions are.  Therefor those actions would include both thought and prayer.  This is one of the defining differences between "hope" and "Faith".  Faith is all consuming and cannot be divided between the moments of the day.  It is constant. 

If the narrator actually understood the Visitor's answer, he would have been able to understand, that to the Visitor, there is no difference, and if he truly understood what that meant, he would not still be wondering (or even have asked the question in the first place).

This explains part of the reason the Visitor questions whether he can be an instrument of the message, and whether anyone would ever understand what he is saying.  His doubt in relaying a message that people cannot hear is shared many times within the 90 pages of The Visitor.

Even as the author I still struggle with the simple exchange, so the narrator as a character of the story can hardly be blamed for not being able to fully understand.  As such, it may be even harder for the reader to fully comprehend this exchange.  Words are simply inadequate.  

But Faith is that someone, somewhere, someday will understand.  As Mulder would have said while looking up at the skys, "The truth is out there...or...I want to Believe."

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There will be signs in the sun, moon and stars…”— LUKE 21:25

Until next time....Journey In Love

Michael Paul

Consensus of the Majority

While the Visitor knew he constantly suffered his sanity in a disconnected
world, he believed he was at times uncomfortably grounded
due to his unwillingness to be swayed by the consensus of the majority. - The Visitor pg 4.

As promised in the last blog, the blogs moving forward are all "deeper dives" into possible interpretations of The Visitor.   For today's deep dive we are still on page 4 and reflecting on the narrator's assertion that the Visitor knew he was on a different page than a lot of other people.   

It is important to note, that the assertion is not that the Visitor "felt" disconnected or in the minority, but rather he "knew".  This distinction makes it clear the Visitor had self-awareness.  

This self-awareness goes so far as to say that the Visitor was also aware (knew) he "constantly suffered his sanity"  This statement could be interpreted in many different ways, except when the reader considers that the lines which follow this section clarify that the Visitor was aware he was not "insane" but rather felt quite clear not only in his unconventional minority views but took some comfort with them.  He knew his outlook was different, yet he would not have changed his outlook for anything, as illustrated earlier on (pg 3) when the narrator states:  The Visitor was aware of his shortcomings in not being able to see the middle between extremes; however, he would not have changed his understandings for anything.

From this we can see the Visitor has an acute awareness of his shortcomings.  He is blind to aspects outside of his dualistic nature. However, he is not just aware of and comfortable of his shortcomings, he would not change his understandings for anything.  In other words, he is committed to his positions and insights and awareness regardless of the impact or suffering this causes him.  He constantly suffered his sanity.  He knows he sees things differently, he knows his views are in the minority and he is aware this makes life difficult for him.  

“Now I think I know what you tried to say to me,
How you suffered for your sanity,
How you tried to set them free.
They would not listen, they’re not listening still.
Perhaps they never will... ”

— Don Maclean's Starry Starry Night

These words are actually influenced by Don Maclean's song, Starry Starry Night.  For the few who followed the temporary web-site during the writing of The Visitor they would have seen various musical videos which I credited for inspiration.  As strange as it may have been to anyone following the temporary website, one of the video's was Don Maclean's song Starry Starry Night.  Anyone familiar with the song would understand it is about Vincent Van Gogh.  An artist who expressed the world he saw in a very unique style.  The song is influenced by one of the most recognizable pieces of art in the world, Van Gogh's Starry Night.   Van Gogh actually painted Starry Night while in as asylum.  Yet, that piece of work has remained both timeless and universal.  As such, it is an apt influence on The Visitor.  The picture itself is abstract not only in style, but in the fact that the scene itself only exists in Van Gogh's eyes.  It is created.  Yet, his insights have been influenced.  

Note the following potential influence Genesis 37:9,  “And he dreamed yet another dream, and told it his brethren, and said, Behold, I have dreamed a dream more; and behold the sun and the moon and the eleven stars made obeisance to me.” 

Note the picture - The sun and the moon (imposed together) and eleven stars.  Coincidence?  Perhaps.  What we do know about Van Gogh was he was acutely aware and worried about his sanity (which was why he checked himself into an asylum).  What many do not realize is that besides being an artist trying to express something; he was also a protestant missionary.  Being a protestant missionary; it is not then a far stretch to think the influence of Starry Night may be in fact derived from Genesis 37.  

The other interesting point is that Van Gogh was never successful during his life and only became well known and appreciated after his death, (tragically in his case by suicide).  He was considered basically a "madman who drank a lot".  

Here we can see a bit of the influence on the Visitor.  Someone who sees the world differently, someone who try's to share insights via art (in the case of the Visitor - poetic parables) and someone who we don't get to know until after his death.  Afterall, The Visitor is a story told by the narrator after the death of the Visitor.  The references of the Visitor's like of alcohol is also found throughout the book, from the drinking of the flask to references of the narrator having spent evenings with the Visitor drinking wine.  The fact that people thought he was a bit of a madman is easily picked up early on page 10;

The rumours of who he was were not the reality, but rumours in time became the accepted version of the truth. Depending on who you talked to he was either a mystic, an intellect or just a crazy old man with a bad temper who had chosen to become a bit of a recluse.

So here we see insights into the character of the Visitor.  Someone who does not see the world as others, is aware that others see him differently, who struggles with his own sanity constantly due to seeing the world differently, and shares his insights through art (poetic parables).  The fact that his words (art/poetic parables) do not reach a wider audience until after his death through the recording and telling of the story by the narrator completes some of the influence on the character of the Visitor.

As in Don Maclean's song Starry Starry Night, the Visitor is also acutely aware that people do not understand what he is saying, and aware that they very well may never understand, but yet it is important enough for him to share his view of the world that he travels outside of his recluse to share his message and understandings on the eve of his death.

The last part of the deeper dive on this blog is regarding what drives the Visitor to his suffering - being "uncomfortably grounded due to his unwillingness to be swayed by the consensus of the majority.

This central theme is played again and again throughout The Visitor.  Early on page ix of the prologue this is made clear.  The novel suggests that ethics and laws are merely manmade rules to protect us from ourselves, the vested interests of those in power, or the ever-changing fabricated social norms put into place by a consensus of the majority with no real regard as to what may or may not be “right”.

Another example is found on page 40 in the poetic parable regarding Laws:

The system designed is by design adversarial
It requires little of truth to succeed.
It lets guilty go free to attend innocent burials
As the majority are appeased in their greed.

The Visitor's position about right and wrong and truth are clearly differentiated from what the majority may declare as right and wrong and true.  To the Visitor, it is about individual accountability, and he shows little regard for human law to dictate appropriate action or inaction.  This is patently clear in the following stanzas.

And following a law which is inherently wrong
Does little to lessen your crime.
And no matter how good and no matter how strong
We all must account in due time.

And while you say punishment equals the crime
And justify - In fact, fear, and Love
A greater law will judge each in their time
And restore a fair balance; which no man’s above

These two stanzas together explain how the Visitor is "grounded and unwilling to be swayed by the consensus of the majority.  Regardless of what human laws allow, or don't allow, we are not excused from our own actions and that each one of us is accountable.  

This should not be surprising.  Again, on page ix of the prologue the author makes this distinction clear to the reader;    It is never about being ‘right’; but rather, about uncovering the ‘truth’.  And in the mind of the Visitor, the truth is not created by any majority consensus, but rather the truth "is what it is" and requires no defense.

Dishonesty appears as anything but
To shield it from what it’s concealing.
The truth will not change - no matter what,
No apologies and always unyielding.

And there my friends are some of the insights into the character development of the Visitor.    He is not in step with the majority and does not cling to what others, even the majority may espouse as "right".  He rather is grounded in what he sees as "truth".  He is aware that others see him as a bit "mad" or "crazy" and he is also aware that people cannot really understand what he is trying to share (or that he is even an instrument capable of sharing what he sees to be true).  However, he would not change this for anything.  He is grounded and unyielding regardless of the cost or the judgement.  And that is Faith.

Until next time, Journey In Love

Michael Paul

Universal Language of the Soul

1 Corinthians 14:10   There are, perhaps, a great many kinds of languages in the world, and no kind is without meaning.

In part, this corruption of language spurred him towards a belief
in what he called “the universal language of the soul”, or language
with no spoken words. A language best heard (or felt) in silence.  Pg. 4 The Visitor

If you have had the patience and perseverance to follow all the blog entries in "The Visitor - Re-Visited" you would be aware that The Visitor is not a simple story.   You would also be aware it is a story that not even the author fully understands, and invites readers to search for their own interpretations.

That said, moving forward, these blogs will start to take a much deeper dive into possible interpretations.  Today's interpretation is focusing simply on a statement made by the narrator on page 4 of The Visitor about "corruption of language", and a belief in a universal understanding that requires no spoken words, no language and perhaps is best "felt" in silence.

However, now as a seasoned reader (if you have followed this far) you are going to start to see more of the influences on The Visitor and perhaps understand why it is not just a Love Story, but a Story of Love.  This deep dive is the beginning of truly understanding what The Visitor is about, and why individual interpretation is actively encouraged by the author.

The concepts of silence, universality, and language are central themes in The Visitor.  The previous blogs on Love explain how the Visitor believes sacred words like Love, Faith (and even hope) have been corrupted to the point the words are now meaningless.  

“Shared, but maybe not emphasized to the same degree, is the strong suggestion that deep within us, in the silence of our souls, we know intuitively the differences between what is right and what is wrong.”

Other sections of The Visitor talk about the need for Love, Empathy, Understanding, Judgement, Pain, Sorrow, Joy etc.  All these are claimed by the Visitor to be universally shared states of the human condition.  This idea of silence, and universal understanding is hinted to in the prologue (pg viii):

In fact, one of the pivotal contextual points in The Visitor is in his search for silence.  That is what partly drives him away to his home outside of the city prior to his death.  This is clear at the end of the section of Crime and Punishment (pg 43) when the narrator shares the following:

Although I still did not fully understand what he meant, he was passionate in his belief that the more he withdrew from everyone, the better he was able to connect with anyone. From his solitude and isolation, he could connect with everyone rather than be consumed by any one. His description of how we are all connected and of how we are all one was beyond a romantic notion. He believed the connection was beyond spiritual. Just as a high tide lifts all boats, the hurting of one hurts us all. He believed there was shared responsibility and accountability amongst everyone.

The idea that there are many languages in the world, each with meaning is not a novel idea.  We are more than aware we don't all speak the same language.  And while a foreign language may sound like gibberish to one not familiar, the support for something deeper is found within 1 Corinthians 14:10

There are, perhaps, a great many kinds of languages in the world, and no kind is without meaning.

In the eyes of the Visitor this concept is pushed to the idea that there is even meaning in a language without words.  Reference the poetic parable on Joy and Sorrow to understand at a minimum the Visitor sees "emotional states" as universally shared.

Your joy and sorrow are not yours alone
They are both universally shared states
Unless your heart is carved out of stone
Such feelings are our shared human fate.

The Visitor's assertion that you can "understand" or derive meaning from such universally shared states directly follows the stanza above in the chapter on Joy and Sorrow.

You may witness the pain in the eyes of a stranger
Or smile when someone else laughs.
Or feel the fear when someone’s in danger
As we all walk along a shared path.

The idea of witnessing pain in the eyes of a stranger is the idea that we can "understand" pain in someone without the need for words.  The fact that we may smile when someone else laughs invokes the idea of an innate ability to respond to an "emotional" stimuli.  This is again emphasized in that we can actually "feel fear" when someone else is in danger.

Words are not required to share, in fact all of these examples are actually better "felt" than heard.  Words require translation, are open to misinterpretation and are filtered through a cognitive process.  We are much more in control of the words we utter.  And as such, we can intentionally confuse, manipulate, control and hurt others for whatever purpose we choose.

We are much more responsible for the words we say and the impact of those words.  Again, this concept is not new or unique.  See Ephesians 4:29

Let no unwholesome word proceed from your mouth, but only such a word as is good for edification according to the need of the moment, so that it will give grace to those who hear.

In the extreme dualism that makes up the personality of the Visitor, it is not surprising that we can draw the conclusion that for the Visitor, words are not only "inadequate" but mundane; where as silence and prayer are sacred.  There are various examples of this duality to be found throughout The Visitor, but they will be highlighted in future blogs.

Quickly however, to understand the "sacredness" of silence to the Visitor we can refer to the poetic parable on Prayer (pg 71):

Prayer is the expansion of your inner self
In prayer, you rise in communion.
Prayer is not a deal you can barter or sell
It is a sacred, silent, union.

The idea of three simple words "sacred, silent, union" pretty much sums up the connections I am talking about.  Although silent - prayer is meaningful communication.  And although the action may be initiated individually, the concept of "rising in communion" shouts a universal connection shared within this act.  The Visitor would argue that we don't really "pray" alone.  This concept is reiterated in the poetic parable below:

Words are not required to speak to the spirit.
If you forget how to pray, then be still.
Stay silent and listen - and your soul - you may hear it
Faith like Grace, is more than free will.

When you can hear, the voices of others
And join in the suffering of what we’ve all done
Without a word, your doubt will be smothered
When you join prayer, with others; as one.

This poetic parable is unquestionably influenced by Romans 8:26 In the same way the Spirit also helps our weakness; for we do not know how to pray as we should, but the Spirit Himself intercedes for us with groanings too deep for words;

Again, concepts of communication requiring NO WORDS (in this case actually groanings too deep for words), but rather SILENCE.  The idea of "join in the suffering of what we've all done" found within the Visitor's poetic parable is another call to not only how we are all connected, but an understanding regarding judgement.  Whole sections of The Visitor are devoted to "taking care when to judge".  Words spoken carelessly and without Love are just part of the noise.  Again, this whole central concept sprinkled throughout The Visitor can be traced pretty easily to the Bible.  This time, 1 Corinthians 13:1

If I speak with the tongues of men and of angels, but do not have love, I have become a noisy gong or a clanging cymbal

As well as Colossians 4:6

Let your speech always be with grace, as though seasoned with salt, so that you will know how you should respond to each person.

Again we can see confluence of influence - Ephesians 4:29

Let no unwholesome word proceed from your mouth, but only such a word as is good for edification according to the need of the moment, so that it will give grace to those who hear.

The idea of NO WORDS, but rather communication through a more adequate spiritual fashion (prayer being one example) is again influenced by another passage, this time 1 Corinthians 2:13

which things we also speak, not in words taught by human wisdom, but in those taught by the Spirit, combining spiritual thoughts with spiritual words.

One more example of the inadequacy of words is found in John 8:43

"Why do you not understand what I am saying? It is because you cannot hear My word.

It really should be no surprise by now as you are in the midst of the "first deep dive" into interpretation that when the Visitor does speak, (even though he finds words inadequate and would prefer silence) he speaks ONLY in poetic parables.  Influence for this type of speaking is found in John 16:25

"These things I have spoken to you in figurative language; an hour is coming when I will no longer speak to you in figurative language, but will tell you plainly of the Father.

At this point you the reader might make the assumption that the Visitor is a literary personification of Jesus.  I can assure you as the author of The Visitor, this is not the case.  As clearly outlined in The Visitor, the Visitor is not Jesus or any other incarnation of a prophet.  

Page 2 of the chapter Corvus makes this clear:

The Visitor could have been anyone. In fact, he would have argued he was everyone…more or less. He was not extraordinary, he was certainly no angel, and he was far from a saint.

So, Who is the Visitor?  

There is an answer, but the answer cannot be given.  Words are inadequate. Be assured however, the Visitor does exist.  To actually find out who the Visitor is cannot be achieved without the background provided by the rest of the books within The Corvus Chronicles.  However, a very strong hint as to who the Visitor is is found on page 10 of the novel where the narrator shares, "If anyone had asked the Visitor who or what he was, he would have simply said:"
I am a part of you, just as you are part of me.
No more, no less; just another guest
Whose time has come to leave.

The last part to touch briefly on in this deep dive before I let you up for air, is to be found within the intersection of these central themes of "universal, language, silence, Love" and the damage done by inadequate words is the idea of the strength and sacredness of silence, to let silence by your message or your last word.  This idea is found in the poetic parable on "Talking" (pg 62):

“Do not be tempted in your need to talk
When you’re driven too hard to be heard
Sometimes it’s wiser to get up and walk
And let silence be your last word. - The Visitor”

The power of silence as a response again is not a unique concept and heavily influenced from external sources.  For example Acts 8:32

 "HE WAS LED AS A SHEEP TO SLAUGHTER; AND AS A LAMB BEFORE ITS SHEARER IS SILENT, SO HE DOES NOT OPEN HIS MOUTH.

Luke 23:9

And he questioned Him at some length; but He answered him nothing.

Proverbs 10:19

When there are many words, transgression is unavoidable, But he who restrains his lips is wise.

Psalm 39:9

"I have become mute, I do not open my mouth, Because it is You who have done it.

1 Timothy 5:13

At the same time they also learn to be idle, as they go around from house to house; and not merely idle, but also gossips and busybodies, talking about things not proper to mention.

And finally: two of my personal favourites:

Proverbs 17:9

He who conceals a transgression seeks love, 

and

Proverbs 26:20

For lack of wood the fire goes out, And where there is no whisperer, contention quiets down.

As such, the Visitor is probably prone to not defend his positions.  Afterall, The Visitor takes place three hours before death.  There is nothing to be gained in attempting to defend.  It is not only a strong position, it is the only position.  Again support for this position can be found on page 43 of The Visitor:

He shared how he was no different and had spent far too many years justifying everything he did to others and himself. It took many years and many hard lessons to learn that justification was not called for nor required. If we acted in Faith, guided by Love, there was never a need to defend. In fact, he would contend that defending righteousness only diluted it.

So the message is to take care.  Care with your words.  Care not to defend as those who are asking you to defend are motivated by something you do not need to, and probably should not even entertain acknowledging.  Instead, hold to Faith, and be guided by Love.  And finally, take care when judging.

“John 8:3-11

The scribes and the Pharisees brought a woman caught in adultery, and having set her in the center of the court, they said to Him, “Teacher, this woman has been caught in adultery, in the very act. “Now in the Law Moses commanded us to stone such women; what then do You say?”
They were saying this, testing Him, so that they might have grounds for accusing Him. But Jesus stooped down and with His finger wrote on the ground. But when they persisted in asking Him, He straightened up, and said to them, “He who is without sin among you, let him be the first to throw a stone at her.” Again He stooped down and wrote on the ground. When they heard it, they began to go out one by one, beginning with the older ones, and He was left alone, and the woman, where she was, in the center of the court. Straightening up, Jesus said to her, “Woman, where are they? Did no one condemn you?” She said, “No one, Lord.” And Jesus said, “I do not condemn you, either Go From now on sin no more.””

If you made it this far....congratulations.  Go up for some air, but as in any deep dive, take time resurfacing.  

Journey in Love

Michael Paul

From Cover to Cover - The Visitor - Chapter 1

The blog posts starting from here will be looking at various interpretations of The Visitor.  It is recommended that the reader first look inward for their own interpretations prior to looking at the following blogs so that they may be enlightened by their own introspection.

Remember, the interpretations that follow are not the only, or even necessarily the right interpretation(s).

The people walked in darkness, But have seen a brilliant light.

The Visitor - Chapter I - page 1

You cannot unsee what you have seen
Nor unhear what you have heard.
Turn around now and take your leave
Or you too will own each word.

The poetic parable above are the first words we hear recounted by the narrator.  It is important for the reader to remain aware that although the visitor's words are represented in poetic parables and italics throughout the novel, that we never actually hear the visitor himself speak as the story is written after the visitors passing.  We only hear the narrator's recollection of the visitor's words, or the narrator sharing the words he heard.

On the surface, this verse is easy enough to understand.  Most of us have experienced the truth in this verse, although unfortunately, we typically have learned these lessons through "negative experiences".  

If you have ever seen or witnessed a horrendous event, you will know what is meant by not being able to unsee what you have seen.  Myself, as the author have witnessed numerous events that I had not planned or wished to see.  For example, my wife Deborah and I were first on the scene at a tragic hit and run in Edmonton years ago.  When we fled from our coffee from the outside patio at a Second Cup to run to the aid of the lady who had been hit by the runaway driver, we came upon the broken sprawled out body of a young women who was hit at high speed and was literally split open with her insides spilling outwards onto the pavement.

This is a vision burned within my mind.  Mostly because I was helpless to do anything.

As the visitor shares (via the words of the narrator) most of our memorable moments are connected strongly to either joy and/or sorrow.  Emotional responses tied to an event.  In the case above, my helplessness at a moment of sorrow tied the sights, the sounds and the even the smells of the event into my memory.

Soldiers, military people, first responders and anyone who suffers from post-traumatic stress disorder (PTSD) would understand the impact of negative events that cannot be erased from your mind.

The same concept applies to the idea that "you cannot unhear what you have heard".  Again, too many people will understand this line from experience with negative events.  If a loved one says something hurtful, we tend to hold onto it.  Where young kids are bullied and/or embarrassed it can have a lasting impact.

The idea of the opening lines of The Visitor though are not meant to trudge people down negative experiences.  Rather, this verse is a reminder and warning of the notion of responsibility and accountability which remains central within the context of The Visitor.

If you are not aware of something, than it is hard to be accountable for it.  If you hurt someone's feelings unintentionally and were not aware that you had hurt their feelings you would suffer from neither guilt or remorse.  In short, you would probably not even say "sorry" as you are unaware of the damage that you inflicted.

However, if you were aware that something you said or did was hurtful, and you said and did it anyway, then you are both responsible for your actions and accountable for your actions.  Even though you cannot "undo" your actions.

In the context of the visitor, the warning is about "lifting of the veil".  For example;

If you were not aware that anger can lead to hate, and that hate will drive away Love than you may be innocent of not understanding the destruction your own anger can have to an environment of Love.  However, once you have read (or heard) the visitors words throughout the novel - that "anger" provides fertile soil for "hate", and that where there is hate, Love cannot exist; then you now have inner knowledge about the danger and damage that your anger can do.  

Even though it intuitively makes sense, by having the "veil lifted" you are now responsible for the damage inflicted towards Love by your own anger.  Whether your anger is justified or not, you are still responsible for the impact of your anger.

Whether you agree or not, really doesn't matter.  No more than whether you agree or not with any laws in the land you live.  

It is no wonder that many people feel "ignorance is bliss".  

The idea of "innocence verses ignorance" has always been a topic of debate.  From the "two bite rule" when it comes to dogs, to the ways the Western world and the legal system works when it comes to "pleas of insanity" leading to a dismissal of guilt.  

None of that is new. Regardless of the reader's own personal belief system, going back to some of the earliest written script found within the Bible, we see a parallel concept.

The people walked in darkness,
But have seen a brilliant light.
They sat in lands death-shadowed,
Then light dawned [and banished night].
(Matthew 4:16, Isaiah 9:2).

How to read The Visitor - Understanding the Poetic Parables II

Five more days until the official launch of The Visitor.  A few pre-sales have been completed and a consignment deal with a local bookstore will be signed tomorrow.

The Visitor is not just a Love story; it is a story about Love.

The Visitor is a simple story.  A Love Story.  A story about the visitor who is leaving behind his friends, his family and his Beloved.  But it is more than that; it is a Story about Love.

From the visitors last moments of life he has clarity.  That in itself provides a certain peace as his life had been quite conflicted.  However, the reader will not have the insights to his conflicts yet, as those days of angst are described in the prequels to The Visitor (volumes 2 through 7 of the Corvus Chronicles).

The absence of understanding the visitors previous periods of angst may actually leave the reader conflicted.  The Love story part of The Visitor is easily understood.  It's pretty simple.  90 pages.  Two people meet, they "fall in Love", one of them dies; and their is some pain in the parting.  However, it is the story about Love which may tend to trip the reader up.

While the read is short, it is not easy.  It is like a river that flows smooth in some sections, then fast in others, and in other sections seems like it is churning over rocky white water passes that are hard to navigate.

The reader is warned that the novel is hard to navigate by the author in the introduction:

Notably, The Visitor is written from the perspective of a third-party narrative trying to relay through poetic parables a common story about Love and life on the eve of death. It is hoped that each reader will find the message unique to themselves and their own situation.
 

Each stanza is purposefully intended to be able to stand independently while remaining connected and instrumental to one central message. This style is meant to echo how each of us stands alone, yet we are all connected. The discordant rhymes and rhythm symbolize the
unique speech and tempo that exists within us in an attempt to slow down the reader so that they may reflect on a message which may appear unnatural at first reading.

The narrator also warns the reader that the poetic parables of the visitor can be distracting;

An irregular cadence and natural rhythm graced his voice. It was a poetry void of predictable rhythm and strained at times to rhyme. His voice moved discordantly, straining on unexpected syllables, making it hard to ignore, like the flaws in logic or the stain on a favourite garment. To those with too critical an ear, it was easy to miss the point and be diverted from the message.

While the explanation of the author and warning of the narrator may help provide some foreshadowing that the words ahead may be challenging...taken together the real reason the 90 pages may trip the reader up can be understood.

The author indicates that the message may appear unnatural at first reading and may slow the reader down so they may reflect on a message.  This message is what is usually hidden.  The narrator warns it can be distracting for those with too critical ear and again divert the reader from the message.

So, what is the message both the author and the narrator are alluding too?

It is a message found within the entire book.  Both in the author's words, the narrators words and the visitors poetic parables.  There is an underlying story; and that story is not the Love story; it is the story of Love.

The are clues throughout the novel which can help direct the reader towards understanding the deeper story (interpretation of the message) such as;

• when a "was" reads as an "as" to symbolize the concept of a denial of permanent time by eroding a passive particle by simply dropping an expected letter (w)
• when a word is replaces by a synonym, such as "peaces for pieces" or "error for air"
• when a different language is used for one word, such as amour or sans pax 
• When a word is capitalized as a proper noun (such as Love) rather than an adjective (love)
• When a rhyme scheme keeps being thrown of count; sometimes to the point of a line being just one word; (such as Living)

These are all examples of when "the message" is something rather than what you might read on first glance.  Typically, but not always, these are in the poetic parables.  The parable is the story within the story...or if you like, the story of Love within the Love story.  (see June 19th blog for understanding of what a poetic parable is).

When you trip on elements such as those listed above.  Slow down. Stop reading with your eyes/mind and read with your heart.  Read it within the context of the whole story.

There are other elements within The Visitor which are a little harder to uncover.  There are actual cryptic passages which spell out foreshadowing of other novels within the Corvus Chronicles which include even the spelling of actual names (cryptically).  But those are elements for another day.

Until next time,

Journey in Love

Michael Paul

Truth and Honesty - Stanza VIII

The "trickster" is a mythological reference used widely in different religions.  Across different cultures and different Faiths they share a common trait of using secret knowledge to confuse (or intentionally abuse) social conventions. 

Such is the way of the tricksters
To diminish the truths you would speak
To confuse all your brothers and sisters
And to hide the truth you would seek. 

In this blog we will explore the poetic parable running through Stanza VIII of Truth and Honesty.  For those who have been reading the previous blogs, they will understand the concept of the "poetic parable".  If you are not familiar with the concept, I would recommend a quick review of the June 19 blog.

In this stanza, you will become more familiar with both the visitor's dualistic views, and be exposed to how he struggles against both the written and spoken word, wishing he could communicate in another way.  This is shared by the narrator on page 4 of The Visitor;

It was probably a natural progression that the more he heard, the less he liked words. The most innocent exchanges became pointless. He began to dread the socially expected small talk. He started to hesitate before speaking, as he worried about how people might attribute
wrong statements to him due to their different understanding between what he meant and what they understood or what they believed they heard, or wanted to hear.

In this poetic parable we see the visitor explain some of his hesitation towards language, as he starts to openly discuss how using words carelessly in our everyday language can diminish truth. 

Truth and Honesty, Stanza VIII - Line I : Such is the way of the tricksters

This line may seem to catch the reader off guard.  Exactly who, or what is meant by "the tricksters"? 

The "trickster" is a mythological reference used widely in different religions.  Across different cultures and different Faiths they share a common trait of using secret knowledge to confuse (or intentionally abuse) social conventions.  For example, intentional misuse of the word "Love" would not be outside the norm of the trickster.  Many readers may be familiar with Loki from Norse mythology who was not only a trickster, but a shape-shifter.  The common connection of all the tricksters is they use intellect, trickery and deceit.  Again, the misuse of the word Love to get what someone wants (calling on the sacred to obtain the mundane) would be a prime example of how a trickster works.  

The warning of the trickster is also cited many times within the Old Testament.  Probably the more well known example is the story of Jacob.  In Genesis Jacob is shown how to trick his brother out of his birthright, and then trick his father out of Esau's rightful blessing.  In each  case Jacob is shown to be intellectual, dishonest, greedy and skillfully manipulative.  In each case he blurs the lines between sacred and mundane.

 Truth and Honesty, Stanza VIII - Line II : To diminish the truths you would speak

Here the visitor flips back to focus on the role of our own actions.  The way of the trickster may be to confuse, but the responsibility still rests with each of us.  To accept common bad practice as normal does not protect us from the impacts of participating in bad practice.  Again, the visitor is very consistent in this message.  As he shares in the poetic parable on Laws

     Try as you must and accepting the flaws
For the best, we must all get along;
But silence or absence from your book of laws
Is no defence against doing what’s wrong.

Responsibility and accountability always remains with each of us.  Even though it may well be acceptable to use the word "Love" for mundane things and possessions, that does not protect you from diminishing you truths you would speak when you use the term Love flippantly.   

This personal accountability is another strong central theme running through the course of the novel.  In fact this concept of personal accountability is stressed on the first page of The Visitor where the narrator of the story literally provides the reader with a warning: 

You cannot unsee what you have seen
Nor unhear what you have heard. 
Turn around now and take your leave
Or you too will own each word. 

This warning basically calls the reader to accountability.  When the veil of ignorance is lifted, you can no longer truthfully hide behind it.  This warning is provided on the very first page of The Visitor to let the reader know that there is a responsibility which goes along with awareness and understanding.   

But again, this line runs even deeper in conjunction with the underlying poetic parable.  By bringing the element of the trickster and awareness together we have added the element of responsibility and accountability - at least as far as Truth is concerned. 

Truth and Honesty, Stanza VIII - Line III : To confuse all your brothers and sisters

He once again we find the cost.  Confusion.  It is the lack of clarity which causes many conflicts.  It is misunderstanding; whether caused intentionally (as in the case of the trickster) or unintentionally (lack of clarity or common understanding).  It is in the mixing of the mundane with the sacred where the visitor has a lot of spoken issues.  

Case in point is the narrator's description of the visitor when it comes to the subject of prayer in the prologue of the novel;

Saying he may have been “offended” by people who prayed with hope, as if tossing coins in a fountain during difficult times, is probably a bit unfair. I am not sure he would have been “offended”, but he did struggle with people habitually turning the sacred into the mundane.
You would see a flash in his eyes when people used terms like “Love” to describe their favourite meal. To him the word “Love” had been misused so often it was now corrupted beyond any practical use. To the Visitor, Love was a word reserved for the sacred, such as the spirit of another person - not for chocolate or wine.

This intentionality an clarity within a dualistic viewpoint is one of the consistent characteristics of the Visitor.  To him, things were mundane or sacred, hot or cold, black or white.  It is why he sees himself and his views as extremely simple.

Truth and Honesty, Stanza VIII - Line IV : And to hide the truth you would seek. 

Without a doubt there is a play on words in the last line of stanza VIII.  In between "hide and seek" is the truth.  To the visitor, the truth is accessible to us all, and to each one.  He does not go so far as to ever claim a universal truth, but rather, that the journey to truth may in fact be different for each and everyone of us.

Again we see consistency in this message, for example in the poetic parable on Hiding our Nakedness, the visitor says;

There are many different ways to go;
Your journey is not mine.
Trust me, you don’t want to know
The path etched in my mind.

It matters not what you may think
Of where or why I go.
From my cup you cannot drink
Worry not ‘bout what I know.

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So while the poetic parable running through stanza VIII of Truth and Honesty may seem complex, from the visitor's viewpoint it is quite simple and his message is consistent.  Do not accept the social norms of mixing the sacred with the mundane, such as using the word Love to describe your favourite meal.  When you blur the lines between sacred and mundane, you diminish truth.  The cost of diminishing truth is confusion, to yourself and to others.  And in such a world of confusion, you may obscure your own truth you are looking for.

Until next time; I leave you stanzas VI through VIII on Truth and Honesty together.

Journey in Love - Michael Paul

Never say “Love” as a word with no weight
Sacred words should stir from your soul
Nor should you ever speak dark words of hate
As dark words of hate take their toll.

When you claim “Love” in describing possessions
You diminish the meaning of your word
So when you say, “I Love” it may lead to questions
And your true passion may never be heard.

Such is the way of the tricksters
To diminish the truths you would speak
To confuse all your brothers and sisters
And to hide the truth you would seek.

Truth and Honesty - Stanza VII

When you claim “Love” in describing possessions
You diminish the meaning of your word
So when you say, “I Love” it may lead to questions
And your true passion may never be heard.

In Stanza VII on the poetic parable on Truth and Honesty, the visitor describes the conflict between the sacred and the mundane.  However, it is not just the dualistic conflict which is presented, but also the confusion which is created when blurring the lines between sacred and mundane.

Truth and Honesty - Stanza VII - Line I : When you claim “Love” in describing possessions

While the words of the stanza may seem a bit confusing on first read, the moment the reader recognizes what the visitor is saying, the message becomes instantly clear.  Although the poetic parable on Truth and Honesty doe not sure up until exactly mid-way through the novel, the visitor's views on this matter are presented early (page 3) where the narrator describes from a third party perspective how the visitor reacted to people using the term "Love" casually.

The word PASSION comes from the Latin passionem which really means "suffering, enduring"

Saying he may have been “offended” by people who prayed with hope, as if tossing coins in a fountain during difficult times, is probably a bit unfair. I am not sure he would have been “offended”, but he did struggle with people habitually turning the sacred into the mundane.
You would see a flash in his eyes when people used terms like “Love” to describe their favourite meal.

To him the word “Love” had been misused so often it was now corrupted beyond any practical use. To the Visitor, Love was a word reserved for the sacred, such as the spirit of another person - not for chocolate or wine.
 

It is worthwhile to note in this line the idea of someone being able to "claim" Love.  This means that Love can be viewed as a personal declaration (you claim).  Here in lies part of the problem.  Claiming something does not make it necessarily true - and that is why this poetic parable falls under the category of Truth and Honesty. 

Truth and Honesty - Stanza VII - Line II : You diminish the meaning of your word

The next point worth noting is the idea of using the declaration of "Love" in describing possessions (as presented in Stanza I).  As already outlined in previous blogs; the visitor is clear that everything from the earth remains with the earth.  So here is the dualistic conflict regarding Love which we find ever present in the visitor's words.  How do you claim something which is mundane (possessions) as sacred (claiming Love).

Can you factually and actually Love something material?  Or is Love something beyond the material realm.  That is the point of the visitor.  People are blurring the lines between sacred and mundane.  You can Love the spirit of another person, but is that same emotion present in your like for coffee or chocolate?  If you use the same word for both, you are diminishing the use of the word itself.

If I tell my Beloved, "I Love you", but also tell her; "I Love the Edmonton Oilers hockey club"...what is the message?  Do I really have the same emotional, spiritual connection to my wife as I do to my favourite sports team?  

The important thing to note on this line is the fact that by misusing the word Love you don't really diminish Love.  What you do is diminish the meaning of your word.  You nor I have the power to diminish what is sacred; but we do have the ability to diminish ourselves.  

Truth and Honesty - Stanza VII - Line III : So when you say, “I Love” it may lead to questions

This line follows closely the two previous lines.  If you toss around the word Love for things that are mundane, and you diminish the meaning of your word, than it may lead to questions.  Too often people use words like "Love" to get something they want, or to avoid unpleasant situations.  The word Love has weight.  It should not be used lightly.  It has become habitual how people toss the term "Love" around now to the point it is no longer recognized as a word best reserved for what is really important.  

If there is one central element in The Visitor it is around the concept of Love.  It is why the author uses the phrase, "Journey In Love".  It is why the word "Love" is always capitalized.  It is why the word Love is used 102 times in 91 pages.  Yet; the visitor cautions against over using the word.  So what this tells us is that the visitor's message is a message about Love.

The fact that the visitor sees Love as an acceptable response for all of life's issues is brought to the readers attention in many different ways:

Pg 7:  While he did not know this at the time, saying yes to Love would save him, even though accepting the gift would almost destroy him.

Pg 25: So far, the crowd had only asked the Visitor about the base human needs of food, clothing, shelter, and the need to work to meet such needs. However, if they had listened carefully they would not have failed to observe that the response was often about Love and compassion, with a constant consistent message that they already held the answers to their questions within themselves.

Pg 27: While his answers acknowledged the needs of the crowd, the discourse was slowly moving into areas of discomfort. From the first exchange, which was almost a “mocking” of his message of Love, he had slowly disarmed the resistance of the crowd. The air was now
heavy with the expectation of words we wanted to hear, but we could not voice.

Truth and Honesty - Stanza VII - Line IV : And your true passion may never be heard.

Here the visitor shares the cost of lightly using the term "Love".  If you throw the word around loosely; in describing both the sacred and the mundane, then how will anyone ever be able to hear you when you are speaking from your spirit.  How will you actually make a point in being able to share your true "passion" apart from things that you really just like or enjoy?  

The use of the word "passion" is also purposeful.  As already shared in previous blogs, it is  the intentional use of certain words that sometimes break the rhythm or rhyme, or seem out of place (different language, font etc.,) that give clues to the deeper parable.

Most people think of passion in the romantic sense.  It is used interchangeable to describe an intense desire.  However, the word itself comes from the Latin passionem which really means "suffering, enduring". The word itself as used actually depicts something different than a longing, but rather a "suffering, enduring".  In Christianity "the Passion" is the final days of Jesus leading up to his crucifixion.  

This imagery used by the Visitor again is repeated and consistent in the poetic parable on Freedom where the image of the crucifixion is used to explain the cost of Freedom:

Even at costs that run dearly,
Like a cross / cross your back / on your knees
Then you may finally see clearly.
Then you may finally be free.

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So the parable within Stanza VII is not just a story about being careful with your words so that you are not misunderstood...but paints a picture of taking care not to paint the mundane as sacred.  To understand the importance of the words you use, and the impact they have on you. Used properly, the same term should not really be used to describe how much I enjoy a cold beer on a hot summer day and the suffering enduring passion of someone who gives all for others.

Until next time, Journey in Love: Michael Paul

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When you claim “Love” in describing possessions
You diminish the meaning of your word
So when you say, “I Love” it may lead to questions
And your true passion may never be heard.

Truth and Honesty - Stanzas VI through X

Never say “Love” as a word with no weight
Sacred words should stir from your soul
Nor should you ever speak dark words of hate
As dark words of hate take their toll.

Our words impact not just others, but ourselves.

When you claim “Love” in describing possessions
You diminish the meaning of your word
So when you say, “I Love” it may lead to questions
And your true passion may never be heard.

Such is the way of the tricksters
To diminish the truths you would speak
To confuse all your brothers and sisters
And to hide the truth you would seek.

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For the next few blogs I will be moving on from excerpts on the poetic parable on Love (see previous blogs) and offer some insights into the interpretation of stanzas VI through X regarding the poetic parable on Truth and Honesty.

Again, the literary device of a poetic parable is to provide an easy story upfront, but offer the opportunity for personal introspection into deeper meaning.  Each reader may interpret something different.  What follows is only the interpretation of the author.  And fair warning, there are many different interpretations of the stanza's which follow.  Your own personal interpretation may differ.

For today's blog I am specifically going to look at stanza VI of Truth and Honesty.

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Stanza VI, Truth and Honesty - Line I : Never say “Love” as a word with no weight

It is important to recognize  the word Love is again capitalized.  This provides it the literary value of a proper noun; such as the name of a person or place.  It is not used as an adjective.  As discussed in the previous blogs on Love, the visitor sees Love as an entity.  In this use of the proper noun, the visitor is really using the word Love in the form of a "name".

The word "never" is a strong word.  The visitor is not saying, "try not to use the word Love loosely" such as in describing something mundane - for example; "I love chocolate or I love wine or love how cute that puppy is".  He is saying "Never" use the word Love carelessly. This is again a consistent message shared by the visitor.  Love is an entity, not only deserving respect, but crossing the line to "sacred".  Therefore, understand the "weight" or the seriousness of using that word.

How do we know the visitor regards the word as sacred?  Simply by the second line immediately following this first one.

Stanza VI, Truth and Honesty - Line II : Sacred words should stir from your soul

Here the reader is left with no doubt that the visitor sees the word "Love" as sacred.  So even though talking about Truth and Honesty the visitor is again delivering a message using a continued story of "Love" as the answer.  Love being more than an adjective, but being a "noun or name to represent something sacred".  As such, the word when used should be motivated (stir from) your soul.  This concept is nothing new.  From Jewish tradition, the name Yahweh is sacred and is described as being both unpronounceable and incommunicable.  It is a word spoke more from the heart or the soul rather than from the lips.  As such it is often represented by the tetragrammaton (four letter word/symbol) YHWH.

For those following the blogs to date or reading The Visitor and understanding the influence of Thomas Merton, it should come as no surprise to see another reference which bridges inter-faith understanding.  

This practice of sacred words that cannot be spoken actually was recently reintroduced into the Catholic Church when the Vatican reiterated a directive that the name of God as revealed in the tetragrammaton YHWH is not to be said in liturgy or music. (http://www.catholic.org/news/ae/music/story.php?id=29022) 

"As an expression of the infinite greatness and majesty of God, (the name) was held to be unpronounceable and hence was replaced during the reading of sacred Scripture by means of the use of an alternate name: 'Adonai,' which means 'Lord,'...Invoking a Vatican document from 2001, the Congregation reminded bishops that the name "Yahweh" in Catholic worship should be replaced by the Latin "Dominus" (Lord) or a word "equivalent in meaning" in the local language.

The concept itself has even made it into popular literature in J.K. Rowling's books regarding Harry Potter.  In this case however, it is portrayed as the villian and symbol of evil in the character of Lorde Voldemort as "he who cannot be named".  Incidentally,  in Danish "volde" means "to cause" and in French "morte" means death...so it can be argued the character name of the villain (he who cannot be named) actually translates into "cause death".  

So be it historical, or pop culture, the idea of "sacred words" should stir from your soul and that there are words that should not be said lightly is nothing new.

Stanza VI, Truth and Honesty - Line III : Nor should you ever speak dark words of hate

The reader should easily note how the word Love is capitalized while the word "hate" is not.  That is the first clue.  The word hate is not from the sacred realm.  However, just like the popular culture of Lorde Voldemort the visitor would agree such words should still not be spoken.   This becomes more apparent in stanza VII of the poetic parable on Good and Evil.  In that specific parable the visitor states:

For where Love is absent darkness takes root
Where darkness takes hold, anger thrives.
And where anger grows, there hate may be born
And where hate lives - Love can’t survive.

Again, the reader should easily see the clue of how Love is capitalized and words like hate, anger and darkness are not.  This line when taken into the full context of the visitor's words re-emphasizes why you should never speak dark words of hate.  Simply put, Love and hate cannot co-exist.  Where hate lives - Love can't survive.

Stanza VI, Truth and Honesty - Line IV : As dark words of hate take their toll.

A couple of things are clear in the last line of stanza IV.  The dualistic black and white nature of the visitor, when describing words of hate as dark, and the idea that the words "take their toll".  Literally, "to take their toll" means their is a price, as in payment for crossing a toll booth or road or section of your own personal journey.  The connotation of "take their toll" is even more direct, meaning "causes damage".

So summed up, Stanza VI on Truth and Honesty is a strong warning.  Love is a sacred word with heavy meaning, and should not be used carelessly.  However, even dark words which are the exact opposite such as hate should not be used, as they are damaging.  This stanza illustrates again both the extreme dualistic nature of the visitor, and his consistent message regarding "Love".

Until next time, Journey In Love - Michael Paul

Never say “Love” as a word with no weight
Sacred words should stir from your soul
Nor should you ever speak dark words of hate
As dark words of hate take their toll.

The POETIC PARABLE

Sooo... a few colleagues have been asking me what exactly is a poetic parable?

Thanks to Wikipedia I have a quick succinct explanation: https://en.wikipedia.org/wiki/Parable

A parable is a succinct, didactic story, in prose or verse, which illustrates one or more instructive lessons or principles.

A parable is a succinct, didactic story, in prose or verse, which illustrates one or more instructive lessons or principles. It differs from a fable in that fables employ animals, plants, inanimate objects, or forces of nature as characters, whereas parables have human characters.[1] A parable is a type of analogy.

The Visitor makes use of the parable concept combined with poetry, resulting in each stanza of the visitor's comments being a "poetic parable".  In other words; there is a story within the story.

The reader can read the visitor's words and obtain a clear surface story which illustrates one perspective; easily digested and understood.  However, within the surface story, a little deeper lurks the parable (instructive lessons or principles). 

To understand the parable it is important to understand who the visitor is; and that part is a little tricky.  The reason being is that "The Visitor" is only the first of eight novels which together make up "The Corvus Chronicles: A Journey In Love".  To make it even a little more challenging, "The Visitor" although the first novel released; is really the seventh book.  (Books II and III - The Stranger and The Beloved - are both prequels and will be released next).

As such, the reader may be a little disorientated when looking for the deeper meaning.  And that is totally okay.  The first 20 pages or so in The Visitor are used to help anchor "who the visitor is" which is important in attempting to grasp the underlying message.  There are clues throughout the novel beyond the introduction which help.  Sometimes it is the simple change of font in a sentence, sometimes it is a switch in language, and sometimes a name is literally spelled out although hidden in plain view.

The reality is; it is not until you have gone through the Journey in Love (The Corvus Chronicles) that you may understand know who the visitor is; and it may very well surprise you.  It's not me, it's not a historic or religious figure, it is not anyone overly famous - but it is someone you may recognize.

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Whether or not you see the parable directly in your first read matters not; as I am sure that you will find something that holds meaning to you.  As you become more familiar with the story, chances are that you will start to see the underlying message.  The message you take is yours.

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For further illustration of the concept of a "poetic parable" I invite you to check out the previous blogs on Stanzas I-VII on "Love" where you will see the author's commentary on the deeper messages within the poem.  Even so, remember that is only the author's interpretation and your understanding may be totally different, yet still true.   

That is the beauty of the poetic parable.  It is by its nature tailored to orientate you towards your own heart.  After all, a parable must be read by the heart, not the eyes.

Matthew 13:15

For this people’s heart has become calloused;
    they hardly hear with their ears,
    and they have closed their eyes.
Otherwise they might see with their eyes,
    hear with their ears,
    understand with their hearts

Love - Stanza VII

All these things Love does to you,
Exposing secrets of your heart
So you may see in all you do
That sacred special part.

For those who are following the previous blogs (Interpretation of the poetic parable on Love stanza's I-VI) it will be easy to understand that the visitor is talking about Love as in the "entity" rather than Love as a romantic notion.

For someone not following "the story within the story" (the parable) it is easy to see how this line would be interpreted as meaning; "falling in romantic love has highs and lows, pleasure and pain, and all those emotional tides we go through while in or out of Love, which teaches us who we are."

That notion is not necessarily false.  We do learn who we are from our experiences, whether they are good or bad.  We learn empathy, we learn compassion, we learn through both our mistakes and the mistakes of others.  But if it is truly Love; it is never a mistake...at least if talking about Love from the perspective of the visitor.

Love Stanza VII - Line I : All these things Love does to you,

From the perspective of the visitor; he is talking about Love (the entity) acting on us.  From the pleasure, to the pain, to the sacrifice to the Grace.  This is not "physical" Love.  This is something that is done to us and through us our our journey of life.  

Love Stanza VII - Line II: Exposing secrets of your heart

It can be hard to look inwards, especially when hurting, and see the role our action, inaction, acceptance or rejection had in situations we may suffer.  It is easier to look outwards, and recognize the things that we didn't like, felt unfair, or when we felt betrayed.  It is easier to blame others.  

But Love, the entity (not the emotion) has the power to expose our true feelings.  In complete honesty and solitude.  It is not a judgement bestowed upon us, but the clarity of coming to our own self-judgement and acknowledging our role.  

It is rare that anyone is every completely innocent.  While the actions of someone else may seem more overt - there is usually some role each of us play in any situation where we may feel as though we have been hurt.  Sometimes its as simple as not being honest with ourselves and accepting things we should not have accepted in hopes for something else.  Sometimes it may be not paying enough attention to the other person or situation but rather being so wrapped up in ourselves that we lose track of both the other person(s) and the situation.  Sometimes it's as easy as not recognizing the hurt we may have caused someone else in the defense of ourselves.  

It's hard to be that honest, to see the role we each play in the losses and hurts where we feel like the victim.  But Love can help us see clearly.  

And sometimes it will actually take the guilt away, especially in situations where someone is innocent.  These are situations where someone else has power or control over someone else.  That power or control can be due to age, to financial, to position.  For example; it is rare that a child can be held to blame in any hurt where adults are involved.  The adult typically has the full trifecta of power (age, financial and position).  In situations where children are exploited the entity of Love can help them see they are in fact fully innocent. 

The reality is the "exposing secrets" according to the visitor will occur.  There is no escape.  This is made clear in numerous parables of the visitor, such as the one on Laws:

And following a law which is inherently wrong
Does little to lessen your crime.
And no matter how good and no matter how strong
We all must account in due time.

This concept is made even clearer by the visitor on the parable regarding Time; and actually may be seen or interpreted as a warning, or an accounting to the secrets within your heart,  Although in the concept of "time" the visitor is talking about how death is not bound by the physical realities of time (physics or speed, mass, velocity, gravity etc), the idea of an accounting and clarity at the end of life (in the concept of eternity) is cohesive to the message of understanding and accounting for the "secrets of our hearts" will occur:

When yesterday and tomorrow converge on today
When everything is, and always has been
Revealed at once, all you do - all you say
When all that has been and will be - is seen.

Love Stanza VII - Line III: So you may see in all you do

The idea that Love enables you to see in all you do, is the idea of a deeper honesty within yourself that cannot be hidden.  It is not the idea of being judged externally - where you will be able to account by means of any defense.  It is the idea that in reality, you really can't lie to yourself.  You can lie to others, and they may not know.  But the reality you know when you are lying to yourself, therefore, you cannot in reality "lie to yourself".  Love makes this very clear.  Love has the ability to make you self-accountable - in ALL you do (or don't do).

Love Stanza VII - Line IV: That sacred special part.

That sacred special part is that part that lives beyond the physical mundane body that will be left here on earth.  The reality is that Love allows you to see that part of yourself that is beyond the face you see in the mirror.  It is that part of you that grows within yourself.  Basically, it allows you to see and recognize your spirit in advance.  Love lifts the veil.  

This is the reality of the visitors message.  You know and can see behind the veil through the power of Love.  You don't have to wait until the crow comes calling for you.  

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I hope the message of Love as relayed by the visitor is becoming clear.  It is a personal journey of Love that we experience with others, but at the same time, it is to each and everyone of us our own unique journey.   

If you are enjoying the concept of the poetic parables within the prose of the visitor I invite you to check out the full volume of The Visitor; Book I of the Corvus Chronicles now available on this website (see Bookstore) or on Amazon, Indigo, Kindle, Kobo or by ordering at a bookstore near you.  

Until next time, I present to you the first half of the parable on Love, (Stanza's 1-VII inclusive).

Journey in Love; Michael Paul

When Love beckons, do not sleep
And let none stand in defiance of;
Though cost be high and loss be steep
Leave doubt behind and yield to Love.

As sure as Love will lift you high
To heights beyond your reach
To fully grasp; you must partly die
Self-interest must be breached.

And Love will drop you like a bird
Scorched flying near the sun
Do not the dizzy heights disturb
Love’s quest to become one.

For your body; it will bless
And guide you through all weather
While softly naked it will caress
Your body like a feather.

Then it will bind and chain and flog
Till you can take no more
And leave you stumbling in the fog
Alone - lost in amour.

Love will heal wounds of desire,
Then bleed you dry as stone
Love throws you into sacred fires
Where you will burn alone.

All these things Love does to you,
Exposing secrets of your heart
So you may see in all you do
That sacred special part.

Love - Stanza VI

Love will heal wounds of desire,
Then bleed you dry as stone
Love throws you into sacred fires
Where you will burn alone.

In the previous stanzas on Love the reader was introduced to the concept of Love as an entity (more than a feeling; see blogs on stanzas I-III inclusive), followed by Love as physically expressed (see blog on stanza IV) and then the feelings of hurt of associated with Love (binding and piercing; see blog on stanza V).

In stanza VI we see all these previous elements combined.  Love having the power to heal and hurt, but also the concept of purify or sanctify.  This is the concept of Love being trans-formative.

This particular stanza also serves as a prime example of how the visitor speaks in "poetic parables".  This stanza is open to a very real interpretation of the pain many may have felt when it comes to Love.  However, as a parable, there is a story within the story open for interpretation by the reader.  In this stanza, the underlying story of the parable is actually about the acceptance of Love as a trans-formative power.  It is actually from the visitor's perspective a story about the experience of Grace.

Love - Stanza VI, Line I :  Love will heal wounds of desire,

In the first line of stanza VI the visitor depicts Love again as an entity with an ability.  In this case Love (object) heals (action).  Love in stanza VI is not talking about "feeling"...except the stanza is also rift with the idea of physical feeling (wounds, bleed, burn).  As such, this stanza is complex with discordant messages that fit well with visitor's dualistic view of the world, but may be a little confusing to those who hear his message.  

To "heal wounds of desire" is to heal hurts associated with loss, rejection, and loneliness. While there may be other such feelings, typically wounds of desire are not of a physical nature, but rather an emotional nature.  When we lose someone we Love, or our feelings for someone are not reciprocated, or when we feel isolated.  Although these are not "physical" pains they are still very much real.  As such, they need healing as much as any cut, break or bruise.  

Physical injuries are healed through the bodies process of healing itself.  Sometimes it may need help, from doctors, from antibiotics, even blood transfusions.  The point is, all the remedies for physical injury are physical remedies.  For healing wounds of desire, which are non-physical, the cure is also non-physical.  Whether it is time, or Love, or a combination of; the point is that Love will heal these very real non-physical wounds which are associated with feelings such as loss, rejection and loneliness.

Love - Stanza VI, Line II :  Then bleed you dry as stone

As already described above, here Love is acting as an entity or force, not a feeling.  To most readers this line will appear to be associated with "pain", the idea of being bled as dry as a stone is not a comforting thought.  However, that is not the meaning of the visitor.  

To be bled as dry as stone is not an uncommon concept.  The saying, "you can't get blood out of a stone" means "to attempt that which is impossible".  In the easiest translation of the underlying meaning of the visitor's poetic parable in line II is "Love can do that which is impossible".  

Love - Stanza VI, Line III :  Love throws you into sacred fires

Again in line III we see Love as an entity/power/force which is acting (throwing) rather than a "feeling".  However, the reader once again probably interprets this line through a more sensual lens, of the pain which may be associated with Love.

However, there are specific meanings associated to the concept of "sacred fire" underlying the visitor's words.  Many indigenous North American ceremonies incorporate the use of a sacred fire.  In many of these celebrations, fire is seen as a gift from the Creator and a manifestation of the Spirit.  Although you cannot touch it without pain, the warmth and the light touches us.

The concept of fire and sacredness is also common in Jewish and Christian doctrine, as witnessed by when God spoke to Moses through a burning bush' or in Matthew 3:11  where Jesus is described as one who will baptize you "with the Holy Spirit and Fire".

As the novel The Visitor is influenced by Thomas Merton and his appreciation for inter-faith understanding, it should not be surprising by the reader to see a line which contains cross-cultural references to Faith.  

The point of line III, stanza VI as relayed by the visitor is not about the pain of Love but rather of the sanctifying ability of Love as a spiritual power.  

Love - Stanza VI, Line IV :  Where you will burn alone.

The concept of alone was discussed in length in the previous blog on stanza V of the poetic parable on Love.  The underlying message in the visitor's comments are not about suffering pain alone caused by Love, although for many readers that interpretation may be valid.  

For the visitor however, as described throughout the continuum of poetic parables, this is the personal sacred part of the journey.  Just as you enter the world alone, you leave alone.  To be touched by the Spirit is a personal experience, not open for debate or comparison with anyone who has or has not been touched by a similar experience.  The visitor was never keen on such debates.  This attitude of the visitor is explained early in the novel (page 2) by the narrator who points out how the visitor would have responded to such challenges:

He would not have been keen to entertain arguments with others on whether life was a series of events open to arbitrary choice or a matter of predetermined fate. Such arguments he felt were fruitless and without consequence. Instead, he was more prone to admire a perfectly designed system of ordered chaos constantly in flux with individual human choice. He felt there was something beautiful in the concept of unpredictable chaos within an intentional master design: a duality, like body and spirit.

As described by the visitor, the idea of "where you will burn alone" is in essence a description of the state or personal experience of Grace, where when you are touched by Love in this sense.... you will burn alone.

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I hope that you have found some surprising elements of the underlying messages in stanza VI.  Although your own personal interpretations will be valid for you, I hope that for those who have read the blogs on Love stanzas I-VI inclusive are starting to get the sense of what is meant by the concept of a "poetic parable".  

The visitor speaks only in poetic parables, and as such the reader is challenged to interpret the story within the story.  Part of the beauty of the parable is that every reader may extract a different meaning, and that meaning is the one meant for them. 

Until we meet again to discuss stanza VII,  I now present to you the poetic parable on Love, stanzas I through VI together and uninterrupted.  

Journey in Love,

Michael Paul

__________________________________________________________________________

 When Love beckons, do not sleep
And let none stand in defiance of;
Though cost be high and loss be steep
Leave doubt behind and yield to Love.

As sure as Love will lift you high
To heights beyond your reach
To fully grasp; you must partly die
Self-interest must be breached.

And Love will drop you like a bird
Scorched flying near the sun
Do not the dizzy heights disturb
Love’s quest to become one.

For your body; it will bless
And guide you through all weather
While softly naked it will caress
Your body like a feather.

Then it will bind and chain and flog
Till you can take no more
And leave you stumbling in the fog
Alone - lost in amour.

Love will heal wounds of desire,
Then bleed you dry as stone
Love throws you into sacred fires
Where you will burn alone.

Love - Stanza V

Symbol of Love: A Heart both Bound and Peirced 

Then it will bind and chain and flog
Till you can take no more
And leave you stumbling in the fog
Alone - lost in amour.

Stanza V of the poetic parable on Love speaks to the cost of Love.  

Love Stanza V, Line I - Then it will bind and chain and flog

There are many concepts all tied up (pun intended?) within this first line.  It is not the "pleasure" aspect of Love as portrayed in Stanza IV; but rather something else.  The idea of being bound when in Love is nothing new.  There are wedding ceremonies where the hands of the couple are actually tied together to symbolize the binding.  Typically, this is a binding that is entered into with freewill.

As the visitor describes in the section regarding Marriage, there are different kinds of marriage, but a marriage entered into freely, is stronger than earthly bonds.  

Where two souls unite, and become one
And God has blessed the union
Is born a life that cannot be undone
But made stronger by the communion.

Such a marriage is well beyond
The mortal laws of man
Such a marriage only belongs
To those who understand.

The idea of being "chained" is not necessarily as welcome an image, but too often too familiar.  There are times when Love seems to be more of anchor or chain rather than a source of uplifting strength.  However, being chained or grounded is sometimes not a bad thing (and I'm not talking about the 50 shades of grey notion).  Rather, there are times when we may feel "lost like a ship on the ocean" when we are being bounced around in uncharted waters surrounded by unfamiliar rocks which can threaten our own well-being.  At times such as those, a chain or an anchor can actually be the best thing for us.  As such, there are times that Love is an anchor or chain that keeps us safe and grounded, even when we fight against being held.  

As for the image of flogged; that is a reference regarding sacrifice.  The ultimate (perfect) human suffering in the name of Love was flogged prior to paying the ultimate price (sacrifice) for others (Love).

Love Stanza V, Line II - Till you can take no more

This is the reference for suffering which is part of the price of Love.  This is not just having to endure the hard parts; but actually being open to the concept of suffering Love.  This concept is also shared throughout the novel by the visitor; for example in the section on Joy and Sorrow:

The deeper the pain carved into your soul,
The more joy you are able to share.
And although that pain may take a steep toll
It’s from knowing, we know how to care.

As the image associated at the beginning of this blog on Stanza V , it is not a rare depiction of Love to see a heart that is either bound and/or pierced.  Typically we see such images during Valentine's day, with a story about cupid; but the reality is that Love typically is associated with the concepts of permanence and pain.

Love Stanza V, Line III - And leave you stumbling in the fog

To Love, you must be open to the concept of not only sacrifice, but open to the reality of loss.  Hearts can feel broken.  The loss a loved one is not so easily dismissed.  If you have ever experienced the loss of a Loved one, the idea of feeling alone, disorientated and stumbling around in a fog will be familiar.  Again, while Stanzas I-III on Love talk about "what Love is" and Stanza IV about the "pleasure" of Love; Stanza V is about "the pain" associated with Love.

Love Stanza V, Line IV - Alone - lost in amour.

Love, like life, we enter alone.  When we lose either it is a solo part of the journey.    This feeling of being alone is reiterated by the visitor in other sections of the book.  On the section regarding Knowledge, the visitor uses the word "alone" twice within one stanza.  However as in Love, although we may be alone, we are yet connected.  In the eyes of the visitor the dualistic extremes are easy to understand (alone/we are one).  

He leaves you to walk through the threshold alone
As we all stand alone before God
And lifting your gaze you will see we are one
And the division is but a façade.

The purpose of switching to French (amour) and not capitalizing the word (where Love is always capitalized) is again a literary device.  The reason it is not capitalized is that the term  "amour" is typically used to describe an illicit affair, sexual in nature.  While using French also reconnects the reader back to the earlier reference to the Phoenix and the Metz Cathedral in France (see previous blog entry), the real meaning of the last line in stanza V on Love is the summation of the cost of Love, especially an incomplete Love.  This recognition of the danger of purely sexual pleasure as a replacement for Love is also described by the Visitor in the chapter on Pleasure.

Yet do not lose yourselves in the singing.
Take care in refrain and response.
For while it is natural, beware what it brings
As the heart wants what it wants.

So ends the fifth stanza on the poetic parable on Love.  While the first three stanzas described a higher state of Love and the fourth stanza talked about the pleasure of physical Love, the fifth stanza is purely about the cost associated with Love.  

I leave you now with the first five stanzas of the poetic parable on Love.  Until next time, Journey in Love - Michael Paul

When Love beckons, do not sleep
And let none stand in defiance of;
Though cost be high and loss be steep
Leave doubt behind and yield to Love.

As sure as Love will lift you high
To heights beyond your reach
To fully grasp; you must partly die
Self-interest must be breached.

And Love will drop you like a bird
Scorched flying near the sun
Do not the dizzy heights disturb
Love’s quest to become one.

For your body; it will bless
And guide you through all weather
While softly naked it will caress
Your body like a feather.

Then it will bind and chain and flog
Till you can take no more
And leave you stumbling in the fog
Alone - lost in amour.

Love - Stanza IV

Love and sex are not mutually exclusive nor mutually incompatible

For your body; it will bless
And guide you through all weather
While softly naked it will caress
Your body like a feather.

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The fourth stanza of the poetic parable on Love probably "feels" the most familiar to most readers.  This is not surprising, as words such as "body, softly, naked, caress" are often associated with the sensuous (and more common) meanings of Love when associated with poetry.

It is on purpose that this line marks a clear distinction between Love in the "spiritual entity" sense which is offered in stanzas I-III inclusive (see previous three blogs) by the first line in stanza IV.

Love - Stanza IV, Line I: For your body; it will bless

This first line in the fourth stanza makes it clear we are switching concepts of "Love" by the opening three words, "For your body".  It is also clear however that even though we are starting to talk about the physical expression of Love, we do not have to abandon the spiritual (entity) concept of Love, as in this line, Love (object) is blessing (action).  

What is also important to understand in this transition to speaking about physical love is the notion of "bless".  Basically, a blessing is a gift.  So this stanza could be translated as saying,

Love (an entity) provides a gift (blessing) for your body (physical).

While Love may be viewed as an entity as in the first three stanzas, the gift of Love (physicality) is not mutually exclusive of the action of physical pleasure.  It should be noted however that in the novel's section on Pleasure the visitor also acknowledges  the existence of sex (pleasure) without Love.

Pleasure is the soul’s song played out in the flesh.
It is the caged bird within taking wing.
It is the urge to shed clothes and fully undress
It is natural, and normal to sing.

In this poem on Love however, it is clear the visitor is talking about the expression of Love through physical pleasure.

Love - Stanza IV, Line II: And guide you through all weather

The concept of both "guide" and through "all weather" is in simple terms the concept of Faith.  It is close to the notions seen in many western wedding vows, "through good times and bad times, in sickness and health"...  This is just another way of saying the same thing "to trust, through all weather, be it sunny, raining, cold, snowing, dark, bright".  Again, in this poetic parable the visitor is clearly talking about when Love and the physical expression of Love (sex) occur together.

Love - Stanza IV, Line III: While softly naked it will caress

It is very clear by line III in the fourth stanza that the visitor is talking about sex. The words softly and caress are almost interchangeable, as to caress is to touch softly.  Naked of course could mean the state of being nude, but some may also see the interpretation to mean to be vulnerable.  Either way, the description of sex with Love, as in this line brings forth ideas of softness and vulnerability.

Love - Stanza IV, Line IV: Your body like a feather.

The fourth line of the fourth stanza on Love brings together the imagery of both sex (body) and reference to the crow (feather).  The one concept that is probably not as clear but still there is the concept of "your".  

The visitor speaks volumes about "we are one" , "universal language", and a commonality among all humans.  However, when talking here it is clear the visitor describes your body as "yours".  It is a possessive state.  

A large amount of time regarding possessions, gifts, economics (all talked about in the novel) makes it clear to the reader that these things which you possess (can hold in your hands...including a lover's body) are temporary in nature.  All possessions will remain and return to the earth from which they came - including your body.  As such, by the simple word "your" it is very clear that your body is only a temporary possession - it is different than Love.

This is a consistent dualistic view of the visitor.  To see all things as either sacred or mundane.  The visitor would view the body as mundane, and Love as sacred.  It is also clear throughout the book that it was not until he met his Beloved that he was able to clearly see that there were other viewpoints, such as when the sacred and the mundane combine.  To see sex as a gift enhanced by the power of Love.

Until next time, I leave you know with the first four stanzas of the poetic parable on Love.

When Love beckons, do not sleep
And let none stand in defiance of;
Though cost be high and loss be steep
Leave doubt behind and yield to Love.

As sure as Love will lift you high
To heights beyond your reach
To fully grasp; you must partly die
Self-interest must be breached.

And Love will drop you like a bird
Scorched flying near the sun
Do not the dizzy heights disturb
Love’s quest to become one.

For your body; it will bless
And guide you through all weather
While softly naked it will caress
Your body like a feather.

Journey in Love

Michael Paul

Love - Stanza III

And Love will drop you like a bird
Scorched flying near the sun
Do not the dizzy heights disturb
Love’s quest to become one.

As explained in the first two blog entries previous to this, the poetic parable on Love has meanings and interpretations which flow as an under-current and at times contrary to the face value of the poem. 

Typically, the reader who does not reflect on these meanings will feel the story is about emotional or romantic love.  And that is fine.  As it partly is.  The reality is though that in the visitor's use of the word Love he means more than the emotional / romantic / feeling connotation of Love.  The Visitor makes an argument through the novel that it is the misuse of language which makes many words now meaningless; and cites the word Love as being one of those words.

The first two stanzas on Love (discussed in previous blogs) explain how through the Visitor's eyes Love is more than a feeling, but rather an entity and describes it as a sacred sentiment.  As such, the first two stanzas talk about Love (subject) beckoning or lifting (action); and then wrap up by the concept of our response to Love may best be served by the concept of sacrifice.

Love Stanza III - Line I :  And Love will drop you like a bird

In the first line of stanza III again the reader is subjected to the concept of Love as an entity capable of action.  This is similar to the notion in the first two stanzas, but in this case Love (object) drops (action).  

The idea of "like a bird" is consistent with the Corvus/Crow concept.  Here again we build on the physical (height, flight, vantage) as well as the spiritual notions of the impact of Love on our lives.  Often we talk about "falling in Love".  In this reverse perspective, we talk more of the idea of "falling from Love".  

It is a cost of Love.  The reader will see this sentiment in various other areas of The Visitor, such as at the outset of the book (Silence is Broken) when the narrator describes:

As all those who enter our lives are destined to go, we embrace the initial welcome, even knowing the pain of departure will someday arrive. Still, the Visitor knew that to go in peace he must come in peace, and leave thoughts of his leaving behind.

This is further reflected in some of the first comments of the visitor in the same chapter (Silence is Broken).  When speaking to the crowd he shares in his style of poetic parable

I wish I had more time to live,
And yet less time to grieve.
To feel the ground beneath my feet,
And taste the Love I leave.

Besides other examples which will be explored later, this concept is really driven home in the first chapter of The Stranger (Book II of the Corvus Chronicles) which is shared in the epilogue of the The Visitor.  In the opening chapter of The Stranger the main character comes across a stranger outside a hospital while grieving for his mother, and the stranger engages him with the comment of:

“Have you just now realized that the price for life is death and the cost of love is hurt?”

Love Stanza III - Line II :  Scorched flying near the sun

Phoenix from Metz Cathedral, Lorraine France.

The imagery now of a bird flying too close to the sun depicts the mythology of The Phoenix. The reference to the phoenix calls to mind the influence of Kahlil Gibran on The Visitor.  Although Gibran does not mention the phoenix, the phoenix is a Greek mythical creature that symbolizes cyclical regeneration and rebirth (which is a similar message with Gibran's The Prophet).

But why a departure from Gibran and the imagery of the phoenix?  As the reader will understand; the common message of the phoenix it is about rebirth, or arising from the ashes. This can be interpreted as either moving on after death, or a spiritual rebirth as in baptism.  

The imagery and height was not lost on the architecture of Metz Cathedral, A Roman Catholic church built in 1200 in Lorraine France.  The image in this blog is from Metz Cathedral, a Roman Catholic church also known as "The Good Lord's Lantern" due to the fact it boasts the largest display of stained glass windows within a Catholic Church.

Love Stanza III - Line III :  Do not the dizzy heights disturb

The idea of Love, of lifting, of flight, of heavens have already been discussed in the previous two blogs on Love which dealt with the first two stanzas of the poetic parable on Love.  This concept of "rising up" is also captured by the phoenix imagery in the first two lines of stanza three.  It is not mere coincidence that "The Good Lord's Lantern" (from where the image of the phoenix in this blog is from) also boasts one of the highest naves of all churches.  

But the idea of dizzy heights disturb also calls to the feeling or disorientation one may experience in the acceptance of Love.  It can be scary.  To accept Love as well as to sacrifice as the cost of acceptance (described in stanzas I and II; see previous two blogs) and deny self interest (Self interest must be breached) is disturbing.  This third line basically again brings up the notion of "staying strong" or FAITH.  To not be disturbed.

Love Stanza III - Line IV :  Love’s quest to become one.

If there was any doubt in the "personification" of Love, (the concept of Love as an entity) this line itself should remove all doubt.  Here Love as described by the visitor is not a feeling.  It is an entity.  An entity with purpose.  To declare Love has a quest, is declare it has intention.  That intention as described by the visitor in the fourth line of the third stanza is "to become one".

This is again a common theme throughout The Visitor and The Corvus Chronicles.  The journey of Love is a quest to become one.  The very first words of the visitor in the first chapter of the book direct the course of this journey when the narrator states, "If anyone had asked the Visitor who or what he was, he would have simply said"

I am a part of you, just as you are part of me.
No more, no less; just another guest
Whose time has come to leave.

Upon reading the novel the reader will not be able to evade this concept.  The idea that "we are one" is constantly refreshed both through the narrator's narrative and through the visitor's poetic parables.

If you have read the first three blogs, I hope that within these first three stanzas of the poetic parable of Love you are starting to feel and see that The Visitor is not the simple read it appears to be at first passing.  Again, the interpretations are broad, and you may find other meanings or messages that resonate for you.  Take the time, explore and look inwards.  I can not, even as the author, tell you what message waits for you on your journey.  As the Visitor comments in the section regarding KNOWLEDGE when asked about teaching (see Chapter V - Communion) , the visitor shares:

He strips you from reason to reveal the truth
For these visions he sees are not yours.
He guides you to knowledge that lives within you
And leaves you - to open the doors.

He leaves you to walk through the threshold alone
As we all stand alone before God
And lifting your gaze you will see we are one
And the division is but a façade.

Until my next blog, when I discuss my interpretation of Love - Stanza IV I leave you with the first three stanzas on Love:

When Love beckons, do not sleep
And let none stand in defiance of;
Though cost be high and loss be steep
Leave doubt behind and yield to Love.

As sure as Love will lift you high
To heights beyond your reach
To fully grasp; you must partly die
Self-interest must be breached.

And Love will drop you like a bird
Scorched flying near the sun
Do not the dizzy heights disturb
Love’s quest to become one.

Journey in Love

Michael Paul